Almost Lover

A Fine Frenzy · One Cell In The Sea [2007]

Your fingertips across my skin

The palm trees swaying in the wind

Images



You sang me Spanish lullabies

The sweetest sadness in your eyes

Clever trick



I'd never want to see you unhappy

I thought you'd want the same for me



Goodbye my almost lover

Goodbye my hopeless dream

I'm trying not to think about you

Can't you just let me be



So long my luckless romance

My back is turned on you

I should have known you'd bring me heartache

Almost lovers always do



We walked along a crowded street

You took my hand and danced with me

Images



And when you left you kissed my lips

You told me you would never

Ever forget these images

No



I'd never want to see you unhappy

I thought you'd want the same for me



Goodbye my almost lover

Goodbye my hopeless dream

I'm trying not to think about you

Can't you just let me be



So long my luckless romance

My back is turned on you

I should have known you'd bring me heartache

Almost lovers always do



I cannot go to the ocean

I cannot drive the streets at night

I cannot wake up in the morning without you on my mind



So you're gone and I'm haunted

And I'll bet you are just fine

Did I make it that easy to walk right in and out of my life



Goodbye my almost lover

Goodbye my hopeless dream

I'm trying not to think about you

Can't you just let me be



So long my luckless romance

My back is turned on you

I should have known you'd bring me heartache

Almost lovers always do

Almost Lover

Released in 2007 on the album One Cell In The Sea, 'Almost Lover' stands as a defining track in A Fine Frenzy's discography. The song exemplifies her signature style, blending ethereal vocals with a haunting, minimalist arrangement that captures the melancholic essence of early 2000s indie folk. As a centerpiece of her work during this period, the recording showcases her ability to convey deep emotion through sparse instrumentation and introspective lyrics. The track has since become a staple of her catalog, often cited alongside other key releases like 'Pines' and 'Bomb in a Birdcage' as a testament to her enduring influence on the genre. Its atmospheric quality and lyrical depth continue to resonate with listeners who appreciate the raw, unpolished beauty of her early recordings.