Suedehead

Morrissey · The Very Best Of [2011]

Why do you come here?

And why-ha-ha-ha-hy

why do you hang around?

I'm so sorry

I'm so sorry



Why do you come here

When you know it makes things hard for me?

When you know, oh

Why do you come?



Why do you telephone ? (Hmm...)

And why-ha-ha-ha-hy send me silly notes?



I'm so sorry

I'm so sorry



Why do you come here

When you know it makes things hard for me?

When you know, oh

Why do you come?



You had to sneak into my room

'just' to read my diary

"It was just to see, just to see"

All the things you knew I'd written about you...

Oh, so many illustrations



Oh, but

I'm so very sickened

Oh, I am so sickened now



Oh, it was a good lay, good lay

It was a good lay, good lay

It was a good lay, good lay

Oh

It was a good lay, good lay

It was a good lay, good lay

Oh, it was a good lay, good lay

Oh

Oh, it was a good lay

It was a good lay

Oh, a good lay

Oh, it was a good lay

Good lay, good lay

Oh

It was a good lay

It was a good lay

Suedehead

Morrissey's 'Suedehead' stands as a defining track from his extensive discography, capturing the distinctive vocal delivery and lyrical intensity characteristic of his work. Released on 'The Very Best Of [2011]', the song exemplifies the post-punk and art rock influences that permeate his catalog, blending melancholic themes with a driving rhythm. As part of his broader body of work, the recording reflects Morrissey's ability to craft emotionally resonant narratives that resonate with fans across generations. The track remains a staple in discussions of his musical legacy, showcasing his unique ability to merge personal expression with broader cultural commentary within the genre.