E.M.S

50 Cent · 24 Shots [2003]

Ga ga G-Unit! (body) haha, yo, yo



I need no introduction, everybody (body)

Heard of 50 Cent, and heard of G-Unit

I'm not hi-tek and I'm not Kweli (Kweli)

You see me in the club

You better tell the bouncers to treat me special, I'm somebody (body)

Cause I get on that jet, in 5 minutes flat

Niggas'll come back, shoot up your party (party)

If I don't have fun, nobody havin' none

I'm tryin' to holla at ya, come here shorty (shorty)

Shout out to my nigga Juvie, whack goes buck

My niggas from New Orleans, wodie (wodie)

If we on the same page, when you see me on stage

You gonna throw your hands up, and you gonna applaud me (plaud me)

You know how I get, I'm still on that bullshit, nigga, nigga



[Tony Yayo]

I run around with the trey (body) pound like its a sport

And call my name in the bench, while I sit in court

I got a million dollar smile (body), and a fist full of pesos

And the wrist so icey, it could light up a stage show

In the club (body), nigga I stay holdin'

Cause I'm on point for them wolves, and sheep clothin'

I play the bar (body), with a double shot of Henny

Cause after this spot, its cheaters, and envy

(Shorty if you feel a nigga, call me) (body)



[Lloyd Banks]

Yeah, Banks, yeah

Look you ain't got to like me, that's (body) cool, I don't give a fuck

Clowny time ain't gonna put me in a bigger truck

Fuck kids, it (body) ain't my turn to be stressed

A bitch worse nightmare is a paternity test

I'm too young to be faithful (body)

If money, means love, I hate you

I only trick on the first of April

Holla at me, if you thugged (body) out shorty ready to fight you

Dice, roll a blunt, and pull the snub out for me

And if your not don't even (body) call me



[gun shot fired, yelling]

E.M.S

Released in 2003 on the album 24 Shots, "E.M.S" stands as a defining track in 50 Cent's early career, showcasing his evolution from a gritty street narrator to a polished pop-rap artist. The song features a distinct production style that blends hard-hitting beats with melodic hooks, characteristic of the West Coast rap sound of the mid-2000s. It highlights the artist's ability to craft catchy choruses while maintaining a raw, authentic tone that resonated with a young, urban audience. As part of his discography during this pivotal era, the recording reflects the commercial success and stylistic experimentation that would soon lead to his global stardom.