Fever
Michael Ball · Other Songs - Michael Ball
Never know how much I care
When you put your arms around me
I get a fever that's so hard to bear
You give me fever when you kiss me
Fever when you hold me tight
Fever in the morning
Fever all through the night.
Ev'rybody's got the fever
That is something you all know
Fever isn't such a new thing
Fever started long ago
Sun lights up the daytime
Moon lights up the night
I light up when you call my name
And you know I'm gonna treat you right
You give me fever when you kiss me
Fever when you hold me tight
Fever in the morning
Fever all through the night
Romeo loved juliet
Juliet she felt the same
When he put his arms around her
He said 'julie, baby, you're my flame
Thou giv-est fever when we kisseth
Fever with the flaming youth
Fever I'm afire
Fever yea I burn for sooth'
Captain smith and pocahantas
Had a very mad affair
When her daddy tried to kill him
She said 'daddy, o, don't you dare
He gives me fever with his kisses
Fever when he holds me tight
Fever, I'm his misses,
Oh daddy, won't you treat him right'
Now you've listened to my story
Here's the point that I have made
Cats were born to give chicks fever
Be it fahrenheit or centigrade
They give you fever when you kiss them
Fever if you live and learn
Fever till you sizzle
What a lovely way to burn
What a lovely way to burn
What a lovely way to burn
Fever
Michael Ball's 'Fever' stands as a defining track from his early career, showcasing his signature blend of soulful vocals and polished pop production. Released during the height of his popularity in the late 1980s, the song exemplifies the smooth, romantic style that characterized his discography and solidified his status as a leading figure in English pop music. The recording features Ball's characteristic warm tone and emotive delivery, capturing the essence of the era's ballad format while maintaining a distinct, contemporary edge. As a staple of his live performances and radio play, 'Fever' remains a testament to his ability to craft memorable melodies that resonate with audiences, serving as a bridge between his earlier work and his later, more mature compositions.