It's That Girl Again

Basia · It's That Girl Again [2009]

She's back, it's that girl again

Saying, all is good and well

But why is she looking so pleased

After all that has happened?



And yet she has the time of her life

Forcing us to smile, to be kind and glad

To welcome bad weather

But we know better how life really is

She's demanding too much



It's that girl again preaching how to love

(That girl)

What's more, she suffers fools gladly

God knows, why? And annoying us all

But has the time of her life



Never scared

(It's so unrealistic)

To live

(It's too idealistic)

This is so naive

(Quite impossible)



Forcing us

(It's that girl again)

To smile

(It's that girl again)

To be kind

(It's that girl again)

And glad



To welcome bad weather

We know better how life really is

She's demanding too much



She welcomes bad weather

Who knows better how life really is

Has the time of her life



(It's so unrealistic)

(It's too idealistic)

This is so naive

(Quite impossible)



Forcing us

(It's that girl again)

To smile

(It's that girl again)

To be kind

(It's that girl again)

And glad



She welcomes bad weather

Who knows better how life really is



She has the time

She has the time

She has the time

She has the time

Time of her life

It's That Girl Again

Basia's 2009 recording of 'It's That Girl Again' stands as a poignant chapter in her extensive catalogue of theatrical and pop-infused music. Released following her acclaimed Broadway performances, the track reflects her signature ability to blend narrative storytelling with emotive vocal delivery. The song continues her exploration of complex female characters and romantic entanglements, themes that have defined her work since her early days in London. As part of her later discography, this recording demonstrates her enduring capacity to craft memorable musical moments that resonate with audiences familiar with her dramatic background. The piece serves as a testament to her versatility across genres, maintaining the emotional depth characteristic of her earlier releases while adapting to contemporary musical landscapes.