Everything
Alanis Morissette · So-Called Chaos
I can withhold like it's going out of style
I can be the moodiest baby and you've never met anyone
Who is as negative as I am sometimes
I am the wisest woman you've ever met
I am the kindest soul with whom you've connected
i have the bravest heart that you've ever seen and you've never met anyone
Who is as positive as I am sometimes
you see everything you see every part
you see all my light and you love my dark
you dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
i blame everyone else & not my own partaking
my passive aggressive-ness can be devastating
I'm terrified and mistrusting and you've never met anyone
Who is as closed down as I am sometimes
you see everything you see every part
you see all my light and you love my dark
you dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
What I resist persists and speaks louder than i know
What i resist you love no matter how low or high I go
I am the funniest woman that you've ever known
I am the dullest woman that you've ever known
I'm the most gorgeous woman that you've ever known and you've never met anyone
Who is as everything as I am sometimes
you see everything you see every part
you see all my light and you love my dark
you dig everything of which I'm ashamed
There's not anything to which you can't relate
And you're still here
Everything - Alanis Morissette
Alanis Morissette's 'Everything' serves as a pivotal track on her 1992 album So-Called Chaos, anchoring her transition from alternative rock to a more polished pop sound. Released during the height of her fame, the song exemplifies the era's power-pop aesthetic, blending driving rhythms with Morissette's distinctive, emotive vocal delivery. While the track shares thematic elements of introspection and emotional turbulence with her earlier work, it stands as a defining moment in her discography that showcased her ability to craft anthemic, radio-friendly material. The recording remains a staple of her catalogue, reflecting the late 80s and early 90s indie-pop landscape where raw energy met commercial appeal.