Yalli Naseeni

Akon · Other Songs - Akon

Akon:

Yeaaaaaaa

Ohhhhhhhh

Akon and melissa



Melissa:

Yalli nassini,

yalli nassi 7obi w sha8el bali 7abibi 7kini,

ya tarekni wa7di bhal layali,

ma btes2al 3ani,

yamma dabo 3youni w ana 3am dari!

[2x]



Akon:

just talk about u and me

thts the reason wht isnt im feelin so lonely

spend falls slowly

we can,we can call it dayz without i like so hommie

i kno about u kno me

the only thing u kno frm where i was gettin tht money

so,baby dnt u believe me

where as a,tht were a,u rlly get 2 kno me,we can around do the Cd

u can be in the maam my little tinirouni

oh tht respond like hommie

everylittle day pass i makin u want me



Melissa:

Yalli nassini

Akon:

ohhh

Melissa:

7abibi 7kini

Akon:

Yea

Melissa:

ma btes2al 3ani,yamma dabo 3youni w ana 3am dari



Melissa:

yalli nassini,

yalli nasi 7obi w sha8el bali,

7abibi 7kini,

ya tarekne wa7di be hal layali,

ma btes2al 3ani,yamma dabo 3youni w ana 3am dari



Akon:

so,baby dnt u belive me

where as a,tht were a,u rlly get 2 kno me,we can around do the Cd

u can be in the maam my little tinirouni

oh tht respond like hommie

everylittle day pass i makin u want me



Melissa:

yalli nassini,yalli nassi 7obi w sha8el bali

Akon:

so lonely

Melissa:7abibi 7kini

Akon:

slowly

Melissa:

ya tarekne wa7di bhal layali

Akon:

slowly

Melissa:

ma btes2al 3ani

yamma dabo 3youni w ana 3am dari



Akon:

so,baby dnt u belive me

where as a,tht were a,u rlly get 2 kno me,we can around do the Cd

u can be in the maam my little tinirouni

oh tht respond like hommie

everylittle day pass i makin u want m

Yalli Naseeni

Akon's 2006 single 'Yalli Naseeni' stands as a defining track from his early career, blending Caribbean dancehall rhythms with American hip-hop sensibilities. The song exemplifies his signature ability to fuse diverse musical traditions, creating a sound that resonated globally across the late 2000s. Released during the height of his popularity, the recording showcases his vocal versatility and production style, which often incorporated heavy basslines and melodic hooks characteristic of the era's pop and dancehall crossover. As a key part of his discography, the track highlights his role in popularizing the fusion of Caribbean and US hip-hop, influencing subsequent artists in the genre. It remains a notable example of his work from the mid-2000s, reflecting the vibrant cultural exchange that defined his musical identity at the time.