Here Comes The Pain Again

Babyface · Other Songs - Babyface

Written by babyface (1994)

Performed by karyn white



I don't like our situation

Things gotta change around here

But I don't see no indication

That that change is very near



'cause every time I look in your eyes

I see the girls and all of the lies you tell me

Just when I thought things are all right

No way, my mistake

You never change



Here comes the pain again

Here comes that pain you bring to me

Here comes that same old pain again

Well, I don't feel much like feelin' that pain



Call it woman's intuition

But I don't fell like you're sincere

And I get these premonitions

That you'll have me back in tears



'cause every time I give you my heart

You take it and you tear it apart so slowly

Just when I think love is alive

No way, my mistake

You let it die



Here comes the pain again

Here comes that pain you bring to me

Here comes that same old pain again

Well, I don't feel much like feelin' that pain (again)

Well, I don't feel much like feelin' that pain



I didn't give my heart

To have it torn apart

I gave my best

Hopin' someday things might

Change for me

Though I can't forsee

I just know that you'll bring back the pain



Hook



Don't wanna love you no more

I'm through with love for sure



Well, I don't feel much like feelin' that pain



I don't want to go 'round

Tired of bein' let down



Well, I don't feel much like feelin' that pain (again)

That pain again

Here Comes The Pain Again

Babyface's 'Here Comes The Pain Again' stands as a defining track from his mid-1980s catalog, exemplifying the smooth R&B and soulful pop sound that characterized his early career. Recorded during a period where he was establishing himself as a premier songwriter and producer, the song features his signature lush harmonies and emotive delivery. It captures the universal experience of heartbreak with a polished, radio-ready production that became a staple of the era's adult contemporary format. The track highlights Babyface's ability to blend romantic vulnerability with sophisticated musical arrangements, cementing his reputation as a master of the genre during the height of his influence in the 1980s.