Mine

Ace Hood · Ruthless [2009]

Hey Hey Hey



[The-Dream:]

All we do is get money

Gotta hit the bank

Man I'm running out of hundreds

(Hey shawty hey hey hey hey shawty)

I know she yours

But she wanna be mine

Mine mine mine mine

Oh! She wanna be mine

I I I I get white boy money (mine mine mine)

Man she wanna be mine (mine mine mine)

(All I do is get money) (mine mine mine)

I know she yours

But she wanna be mine

I I I I get white boy money (mine mine mine)

I know she yours

But she wanna be mine



Ace hooooood (mine mine)



[Ace Hood:]

Big money talking if you broke stay quiet

And watch how all my niggas in a club make a riot

Throwing honeys in the sky

And watch it all fall

I'm blopping on your lady cause' she love to watch me ball

She be giving me the eye

I'm giving her a call

Then it's back to the suites

Next week the Taj mahal

Every day is like a sweet stick

Pick out what you want

It ain't trickin' if you got it baby

Pick out what you want

Reclimb your seat back

And let yourself go

You ain't a Mr. Berrada

I spit that cash flow

Now let her hands go

Lil homie you lame

I have her back to you tomorrow

I let my niggas say

Homie



[Chorus: The-Dream]

But she wanna be mine

Mine mine mine mine

Oh! She wanna be mine

I I I I get white boy money (mine mine mine)

Man she wanna be mine (mine mine mine)

(All I do is get money) (mine mine mine)

I know she yours

But she wanna be mine

I I I I get white boy money (mine mine mine)

I know she yours

But she wanna be mine (mine mine)



[The-Dream:]

I got money you should help me spend

Take you out of that domestic and put you in a Benz

Your old boyfriend don't wanna pay your rent

I put five stacks only that ain't **** (that ain't ****)

Take you out the hood

Put you in the heels

Put you in a crib

This is how you should live

A girl like you should be sitting on a yacht

Looking down at ya rock

I know she yours!



[Chorus: The-Dream]

But she wanna be mine

Mine mine mine mine

Oh! She wanna be mine

I I I I get white boy money (mine mine mine)

Man she wanna be mine (mine mine mine)

(All I do is get money) (mine mine mine)

I know she yours

But she wanna be mine

I I I I get white boy money (mine mine mine)

I know she yours

But she wanna be mine



(Ace hooooood)



[Ace Hood:]

Hey I'll be ballin out a budget

I'll be ballin like the Pistons

Master P money I'll be ballin with no limit

See ya lady I'm me she comin to her senses

She can smell her money plus don't stuntin' on the sixty

Kickin with her richie

Ya man he's a mess fe (?)

I can show you things, diamond rings be the witness

He ain't gotta worry

I ain't trying be yo man boo

I'm just tryin to take you places you gon' need your sandles

Seein' is believin' I just hope that you can handle

Girl I make it rain you can determine the weather

Bentleys, Phantoms

Just don't test the channel

Know you with yo' man but I'm the **** that keep you (?)



[Chorus: The-Dream]

But she wanna be mine

Mine mine mine mine

Oh! She wanna be mine

I I I I get white boy money (mine mine mine)

Man she wanna be mine (mine mine mine)

(All I do is get money) (mine mine mine)

I know she yours

But she wanna be mine

I I I I get white boy money (mine mine mine)

I know she yours

But she wanna be mine



Hey hey shawty!

About Mine

Ace Hood's "Mine" stands as a defining track from the 2009 album *Ruthless*, capturing the raw energy and lyrical precision characteristic of his early work. Released during the height of the Southern hip-hop boom, the song exemplifies the genre's focus on street narratives and rhythmic flow, blending hard-hitting beats with Hood's signature delivery. As a key component of his discography, the recording reflects the era's emphasis on authenticity and direct storytelling, resonating with listeners who appreciated unfiltered expressions of life on the streets. The track remains a staple in discussions of mid-2000s rap, showcasing Hood's ability to craft memorable hooks and maintain momentum throughout a performance. Its enduring appeal lies in its ability to represent a specific moment in music history while standing on its own as a compelling piece of work.