One two five
10cc · Ultimate Collection [2003]
One hundred and twenty five
Beats to, beats to the minute
One hundred and twenty five
You get the notion with the motion
Then you're out on the floor
Fahrenheit, one hundred and two
Centigrade, it's getting to you
Your heart is beating, eight to the bar
You can't control it so you hold it
Then you're out on the floor
On the floor
You feel it coming to ya
On the floor
You know it's getting through ya
On the floor
You can't control the feeling
Let it go
See the faces passing
Smile in time
See the faces passing
All in line
You say, Hey! Can I take you home tonight?
But she knows that you're throwin' a line
She's heard it before, she'll hear it again
It's the same pitch every time
Change your line of patter
Make her laugh, not at her
Change your line of patter
Make her laugh, not at her
She tells you her friend wants to say hello
But say that you don't want to know
It's her that you're throwing your glances to
Her that you want to know
Don't let her stray it's a Saturday night
The Boys are after trouble
You're in for a fight
One hundred and twenty five
Beats to, beats to the minute
One hundred and twenty five
You get the motion with the notion
Then you're out on the floor
Fahrenheit, one hundred and two
Centigrade, it's getting to you
Your heart is beating, eight to the bar
You can't control it so you hold it
Then you're out on the floor
Reggae, Reggae, Reggae, Reggae
See the faces passing
Smile in time
She says if you're lookin' to take her home
Well I'd better not be in late
But the look on her face
And the smile in her eyes say
Baby I'm gonna wait
See the faces swimming
Hear the music dimming
Well I'm all danced out, I'm all done in
And I'm starting to talk out of tune
We can go on a ride, we can jump in a boat
We can dance by the light of the moon
One hundred and twenty five
Beats to, beats to the minute
About One two five
"One Two Five" is a standout track from the British art-rock band 10cc, showcasing their signature blend of pop sensibilities and complex musical arrangements. Released on the *Ultimate Collection [2003]* compilation, the song exemplifies the group's ability to craft catchy melodies with intricate instrumentation, a hallmark of their discography spanning the 1970s and beyond. The track reflects the band's evolution from their early glam rock roots to a more polished, sophisticated sound that defined their career. As a key component of 10cc's catalog, the recording demonstrates their mastery of songwriting and production, often featuring the distinctive vocal harmonies and witty lyrics characteristic of their work. While not one of their most commercially dominant singles, it remains a cherished piece for fans of the group, highlighting their enduring influence on the art-rock genre and their ability to create memorable music that resonates across decades.