Prison Oval Rock
Barrington Levy · 20th Century Masters [2006]
Oooh, yeah
What a cool an' deadly
Some call it Spanish Town, ah' Prison Oval Rock (2x)
Oooh, yeah (2x)
What a cool an' deadly
The people are skanking,
while the daughters dem whining,
The rude boys dem creepin'
Oooh, yeah
What a cool an' deadly
Hand inna di air like ah' Jockey fashion,
Cock out yuh batty like ah' water pumpy
Wine slowly that ah' cool an' deadly
Move lively so ah' husband can't see
Some call it Spanish Town, but ah' Prison Oval Rock (2x)
Oooh, yeah (2x)
What ah' cool an' deadly
The wardens are watching
while the prisoners are dancing
when they hear the music playing
Hand inna di air like a Jockey fashion
Move slowly dat ah' cool an' deadly
Cock out batty like ah' water pumpy
Move lively so ah' husband can't see
Oooh, yeah (2x)
What ah' cool an' deadly
Some call it Spanish Town, but ah' Prison Oval Rock (2x)
The prisoners are skanking
The wardens are watching
some try to escape
when they hear the music playing
Some call it Spanish Town, but ah' Prison Oval Rock (2x)
Ooooh, yeah (2x)
What ah' cool an' deadly
Hand inna di air like ah' Jockey fashion
Cock out batty like ah' water pumpy
Wine slowly dat ah' cool an' deadly
Move lively so ah' husband can't see
Some call it Spanish Town, but ah' Prison Oval Rock (2x)
Ooooh, yeah (2x)
What ah' cool an' deadly
Prison Oval Rock
Barrington Levy's 'Prison Oval Rock' stands as a defining track from his 2006 compilation, '20th Century Masters,' showcasing his signature blend of reggae and dancehall rhythms. The song captures the gritty atmosphere of urban life through its driving beat and Levy's characteristic vocal delivery, which often blends melodic sensibility with rhythmic assertiveness. Released during a period where Levy solidified his status as a leading figure in Caribbean music, the recording reflects the genre's evolution in the mid-2000s. While the track does not explicitly reference specific political figures, it resonates with themes of confinement and resilience common in his broader discography. The song serves as a testament to Levy's ability to craft anthems that address social realities while maintaining the infectious energy that made him a staple in dance halls and clubs worldwide.