Grow Mrs Goldfarb Grow

Allan Sherman · Other Songs - Allan Sherman

+Grow, Mrs. Goldfarb, Grow

Grow, Mrs. Goldfarb, fatter, fatter.

Pile the potatoes on your platter.

Listen to me, 'cause I'm your hubby.

I just adore you plump and chubby.

I got a letter from the state, Dear.

You're gonna need a license plate, Dear.

My little elephant joke come true.

Chew, Mrs. Goldfarb, chew!

There is so much more of you,

More to adore of you,

'Cause you're not slender.

In your white dress, you're a doll,

Big as the Taj Mahal,

In all its splendor.

When you're in department stores,

Don't use revolving doors,

You might get stuck, Dear.

When you use the telephone,

Go in the booth alone,

And lots of luck, Dear.

You had for breakfast: two pounds bacon,

Three dozen eggs, one coffee cake, and

Then you had something really awful,

Four kippered herrings on a waffle.

Nine English muffins, one baked apple,



Boston cream pie, Philadelphia scrapple.

Seventeen bowls of Crispy Crunch.

Then you said, "What's for lunch?"

Sweetheart, you are giant size.

You are Lane Bryant size,

My darling Myrtle.

Last Thanksgiving I was thrilled.

You ate so much, you killed

Your living girdle.

Have another dozen shrimp,

My lovely little blimp.

Don't count a calorie.

I have just received a stub.

I owe the Diner's Club

A whole year's salary.

Eat, Mrs. Goldfarb, daily, nightly.

Eat, though your chair is bending slightly.

Love of my life, I'm glad I found you,

Each day I take a walk around you.

I can't forget when we got married.

Over the threshhold I got carried.

No other bride would be so sweet.

Eat, Mrs. Goldfarb, Eat!

Grow Mrs Goldfarb Grow

Allan Sherman's 'Grow Mrs Goldfarb Grow' stands as a quintessential example of his unique brand of theatrical pop, blending whimsical storytelling with a distinctively British comedic sensibility. Released during the height of Sherman's career, the track exemplifies his ability to craft intricate narratives within the constraints of a standard pop structure, often featuring elaborate vocal harmonies and sudden shifts in tone. While the song lacks a widely recognized commercial chart position, it remains a staple of Sherman's discography, reflecting his signature style of mixing high-concept drama with accessible melodies. The recording captures the essence of his work from the mid-1960s, a period where he was establishing himself as a master of the novelty song while maintaining serious dramatic ambitions. Its enduring appeal lies in its specific brand of humor and its role as a defining piece in the catalog of his most famous theatrical recordings.