I Love You
Barney Kessel · First Four Albums [2008]
town and leave all of you crying all over someone that
you just can't have again love again drink again
Find someone else that you know,
Cause you know it will make you feel better cause you
better feel something why else are you here?
Just say I love you sweetheart.
I'll be yours tonight
Just say I love you sweetheart.
I'll make you stronger.
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
I'm sorry if you all have some sexual confusion
It's too late for that can't you see what you've done?
I don't sleep with my friends I don't lie when I need
it I'm doing my best not to lead you on.
It's just too bad that I've been there myself and it's
just too bad that I'm so much like all of you.
Just say I love you sweetheart.
It's not wrong at all
Just say I love you sweetheart.
I want to make you stronger and
You won't be wrong at all this time
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
It's not wrong at all.
Can't even breathe in here
I can't even look at you tell me how it feels
When they all start to laugh at you
Tell me how it feels when they all start to laugh at you
Tell me how it feels when they all start to laugh at you
Tell me how it feels when they all start to laugh at you
When they all start to laugh at you
Please say I'm not too early
I Love You - Barney Kessel
Barney Kessel's 'I Love You' stands as a quintessential example of his mastery within the hard bop and jazz fusion genres. Recorded for the compilation 'First Four Albums [2008]', the track showcases Kessel's virtuosic trumpet playing and his ability to blend complex harmonic structures with infectious swing. As a prominent figure in jazz history, Kessel is celebrated for his technical precision and his role in shaping the sound of the 1950s and 60s. This recording captures the energy and improvisational depth characteristic of his career, offering listeners a glimpse into the rhythmic sophistication that defined his work alongside peers like Dizzy Gillespie and Charlie Parker. The song remains a testament to his enduring influence on the jazz trumpet tradition.