|
|
| [ More Pulp Fiction Soundtrack lyrics ] |
add to playlist
see a mistake?
comment
|
|
Artist/Band:
Pulp Fiction Soundtrack
Lyrics for Song: Personality Goes a Long Way [Dialogue]
Lyrics for Album: Pulp Fiction [Soundtrack] [1994]
[Vincent:]
You want some bacon?
[Jules:]
No, man, I don't eat pork.
[Vincent:]
Are you Jewish ?
[Jules:]
No, I ain't Jewish, i just don't dig on swine, that's all.
[Vincent:]
Why not?
[Jules:]
Pigs are filthy animals. I don't eat filthy animals.
[Vincent:]
But bacon tastes good, pork chops taste good...
[Jules:]
Hey, sewer rat may taste like pumpkin pie,
But I'd never know 'cause I wouldn't eat the filthy motherfuckers.
Pigs sleep and root in shit, that's a filthy animal.
I don't eat nothin' that ain't got sense enough to disregard its own feces.
[Vincent:]
How about a dog? A dog eats its own feces
[Jules:]
I don't eat dog either
[Vincent:]
Yeah, but do you consider a dog to be a filthy animal?
[Jules:]
I wouldn't go so far as to call a dog filthy, but it's definately dirty.
But, dogs got personality, personality goes a long way.
[Vincent:]
So by that rationale, if a pig had a better personality, he would cease to be a filty animal. Is that true?
[Jules:]
We' have to be talkin' 'bout one charmin' motherfuckin' pig.
I mean he'd have to be ten times more charmin' than that Arnold on Green Acres, you know what I'm sayin'?
|
Personality Goes a Long Way [Dialogue]
This track from the 1994 film score features dialogue-driven storytelling rather than traditional musical performance, reflecting Quentin Tarantino's signature style of blending narrative with sound. While the song credits are attributed to the Pulp Fiction Soundtrack, the piece serves as a diegetic element within the movie's dialogue, capturing the specific tone of the characters' interactions. It stands alongside other iconic tracks from the album, such as 'You Never Can Tell' and 'Royale with Cheese,' contributing to the film's unique sonic landscape that merges disparate genres and cultural references. The recording emphasizes the conversational rhythm and character dynamics over melodic structure, making it a pivotal component of the movie's auditory identity. |
|
| |
|
