Tulip Baroo stands as a vibrant example of Of Montreal's early experimentalism, appearing on the 1999 album The Gay Parade. During this period, frontman Kevin Barnes cultivated a distinctively theatrical and baroque pop sound that would define the band's trajectory. The track captures the group's signature blend of whimsical melodies and intricate arrangements, showcasing their ability to merge indie rock energy with orchestral flourishes. As part of a prolific era that bridged their lo-fi beginnings and later conceptual masterpieces, the recording highlights the band's commitment to eccentric storytelling and dynamic musical shifts. This work remains a testament to their evolving discography, offering listeners a glimpse into the creative ferment that characterized their late nineties output and established their reputation for bold, genre-defying compositions.