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Artist/Band:
Weird Al Yankovic
Lyrics for Song: Frank's 2000 TV
Lyrics for Album: The TV Album
Risin' above the city, blocking out the noonday sun
It dwarfs the mighty redwoods and it towers over everyone
I still remember when that delivery truck came down our block
What a lucky guy, I hear he got the last one in stock
And the neighbors are just green
They say, "That's the biggest screen we've ever seen!"
It's Frank's 2000" TV (Frank's 2000" TV)
Everbody come and see(Frank's 2000" TV)
Frank's 2000" TV (Frank's 2000" TV)
That's Frank's remote control, you can look, but don't touch it, please
'Cause Frank's the one in charge and he decides what everybody sees
The picture's crystal clear and everything is magnified
Robert DeNiro's mole has got to be ten feet wide
Everybody in the town
Can hear those 90,000 watts of Dolby sound
And I'm mighty proud to say
Now I can watch "The Simpsons" from thirty blocks away
On Frank's 2000" TV (Frank's 2000" TV)
Everybody come and see (Frank's 2000" TV)
Frank's 2000" TV (Frank's 2000" TV)
Everybody come and see (Frank's 2000" TV)
I'm gonna get one of my own real soon
It's like having a drive-in movie in your own living room
Whoa, hey now... hey now na na na now
Hey now... hey now na na now
Frank's 2000" TV (Frank's 2000" TV)
Everybody come and see (Frank's 2000" TV)
Frank's 2000" TV (Frank's 2000" TV)
Got a two year warranty on parts and labor
Frank's 2000" TV (Frank's 2000" TV)
Frank's 2000" TV
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Frank's 2000 TV
Weird Al Yankovic's 'Frank's 2000 TV' stands as a quintessential example of his satirical pop style, blending humor with social commentary. Recorded for the album The TV Album, the track features Yankovic's signature vocal delivery and comedic timing, characteristic of his work throughout the late 1990s and early 2000s. The song mocks the intrusive nature of television advertising and the cultural obsession with media consumption, reflecting the era's changing landscape. It showcases Yankovic's ability to create catchy, radio-friendly tunes that deliver sharp critiques on contemporary life, reinforcing his status as a master of parody music who consistently pushes the boundaries of traditional pop structures. |
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