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Artist/Band:
Robin Schulz
Lyrics for Song: Embers
Lyrics for Album: Embers
You give me way more than I deserve
Your heart of gold
I hope you know how much it's worth
I'd give you my soul
I know I was wrong
But I still belong
With you, with you
I know it's too late
But is there a way
Back through, back through
After all is said and done
I'm not ready to surrender
Do I still keep holding on?
Are we ashes, are we embers?
I'm gonna fight for you
I'm not ready to surrender
I'm gonna fight for you
Are we ashes, are we embers?
Are we ashes, are we embers?
Are we ashes, are we embers?
I should have been way more afraid
Of all I had to lose
Don't wanna watch you walk away
I'd do anything for you
I know I was wrong
But I still belong
With you, with you
I know it's too late
But is there a way
Back through, back through
After all is said and done
I'm not ready to surrender
Do I still keep holding on?
Are we ashes, are we embers?
I'm gonna fight for you
I'm not ready to surrender
I'm gonna fight for you
Are we ashes, are we embers?
Are we ashes, are we embers?
Are we ashes, are we embers?
Are we ashes, are we embers?
Are we ashes, are we embers? |
About Embers
"Embers" finds Robin Schulz in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Robin Schulz, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. |
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