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Artist/Band:
London Grammar
Lyrics for Song: House
Lyrics for Album: House
This is my place, my house, my rules
This is my place, my house, my rules
I think that in the silence, we
Are climbing to the sky to sit with the stars
We might be apart
And in my deepest self-reflection
Build a city stay forever young
Forever young
This is my place, my house, my rules
This is my place, my house, my rules
Do you see me? Feel me? Don't think you do
‘Cause this is my place, my house, my rules
I paint the picture so that we
Are climbing all the way up to sit with the stars
And that’s where we are
I cannot be invisible
You make yourself invincible, to make it up
Don't make it up
‘Cause this is my place, my house, my rules
This is my place, my house, my rules
Do you see me? Feel me? Don't think you do
‘Cause this is my place, my house, my rules
You’re so welcome in this house that I have built
Where imagination feeds the things you feel
And you're so welcome in this house that I am still
Where imagination feeds the things you feel
And this is my place, my house, my rules (This is my place, my house, my rules)
This is my place, my house, my rules (This is my place, my house, my rules)
This is my place, my house, my rules (This is my place, my house, my rules)
This is my place, my house, my rules (This is my place, my house, my rules)
My rules
It's my rules |
About House
"House" finds London Grammar in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to London Grammar, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout. |
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