God Gave Me Feet For Dancing (feat. Yazmin Lacey)
Ezra Collective · Dance, No One's Watching
I don't know how they feel
People outside
In search of something real
And I need mine to get me started
Something to get me started
Got to get me started
Give me bassline
Give me dollar wine
God gave me feet for dancing
And that's exactly what I'll do
Give me high life
Give me good times
God gave me feet for dancing
Time ain't waiting
It's a rhythm that you play
Don't let it go
Be ready when tomorrow comes
When tomorrow comes
Take the hands of the ones that you love
And when the high life comes
Together, we'll dance as one (Oh)
Give me bassline
Give me dollar wine
God gave me feet for dancing
And that's exactly what I'll do
Give me high life
Give me good times
God gave me feet for dancing
So here we are
Identical strangers
And we move the same way
And let the music change us
Birds fly high
And it's got me started
Now I've got mine
That's got me started
Got me started
God gave me feet for dancing
God gave me feet for dancing
God gave me feet for dancing
God gave me feet for dancing
Give me bassline
Give me dollar wine
God gave me feet for dancing
And that's exactly what I'll do
Give me high life
Give me good times
God gave me feet for dancing
Give me bassline
Give me dollar wine
God gave me feet for dancing
And that's exactly what I'll do
Give me high life
Give me good times
God gave me feet for dancing
Ezra Collective turns dancing into a communal credo
A dance-floor invitation can also be a statement about belonging. On ‘God Gave Me Feet For Dancing’, Ezra Collective pair the London group’s buoyant jazz-funk with Yazmin Lacey’s soulful vocal, framing movement as a way to shake off the pressure of ordinary life and gather with other people. Drummer Femi Koleoso has explicitly connected the idea to the band members’ church upbringing and to the biblical image of David dancing before the Lord. That background gives the song’s refrain a spiritual charge without making it solemn: its bassline, groove and repeated calls to dance are built for collective release.
The single arrived on 18 June 2024 as the second preview of *Dance, No One’s Watching*, the band’s third studio album, released that September. Ezra Collective described the album as an ode to dancing and an account of dance floors they encountered while touring. Lacey’s contribution is central to this track’s character: her phrasing sits comfortably inside the band’s shifting rhythm, sounding less like a guest laid over a jazz arrangement than a voice moving with the ensemble. The song’s brightness is therefore not only a production choice; it is the means by which the band turns their reflections on community and spirituality into an accessible, physical groove.
The single reached No. 43 on the UK Official Singles Sales and Downloads charts, a useful but specific measure of its release-period reach; that is not the same as a No. 43 peak on the main UK singles chart. Stereogum described the track as having a ‘tasteful yet intoxicating vibe’ and highlighted Lacey’s vocal, while the band’s album followed a major career milestone: *Where I’m Meant To Be* had won the 2023 Mercury Prize, making Ezra Collective the first jazz act to take the award. Those album and career achievements provide context, but this song’s own appeal is more immediate: it makes dancing sound at once pleasurable, social and sustaining.

