FYR Macedonia: XXL - 100percent te ljubam
Eurovision Song Contest · Eurovision Song Contest 2000 [2000]
A nadezh da gubam yas nemam namera
Sto posto te ljubam, sto posto e da
I pak kye ti recham da yas sum uporna
Sto posto te ljubam, sto posto e da
A nadezh da gubam yas nemam namera
Sto posto te ljubam, sto posto e da
I pak kye ti recham da yas sum uporna
Ko bajadera sladok e, sladok e sladok zhimi se
A koga kje te pogledne dali e sluchajno il' ne
Vecherva kje go osvojam, na uvtze kje mu doshepnam
Za da go potsetam
Ne nemoj da zaboravish na dzidot pokraj krevetot
Slika od vesnikot da iseches i da me uramish
I nemoj da zaboravish vecherva da me sonuvash
Sto posto te ljubam, sto posto e da
A nadezh da gubam jas nemam namera
Sto posto te ljubam, sto posto e da
I pak kje ti recham da jas sum uporna
Sto posto te ljubam, sto posto e da
A nadezh da gubam jas nemam namera
Sto posto te ljubam, sto posto e da
I pak kje ti recham da jas sum uporna
Oo la la la la la la la...
Oo la la la...
Oo la la la...
Ne nemoj da zaboravish na dzidot pokraj krevetot
Slika od vesnikot da iseches i da me uramish
I nemoj da zaboravish vecherva da me sonuvash
Sto posto te ljubam, sto posto e da
A nadezh da gubam jas nemam namera
Sto posto te ljubam, sto posto e da
I pak kje ti recham da jas sum uporna
I love you 100%, yes I do
And I often wonder if you would love me to
I love you 100%, yes I do
And I'll make you see that this heart of mine is true
And I'll make you see that this heart of mine is true
I love you 100%, yes I do
FYR Macedonia: XXL - 100percent te ljubam
Representing FYR Macedonia at the 2000 Eurovision Song Contest, XXL delivered a high-energy pop track titled '100percent te ljubam.' The recording blends upbeat rhythms with a driving beat, characteristic of the genre's mainstream appeal during that era. As a competitive song, the song aimed to capture the attention of the European audience through its catchy melody and vibrant production. While the specific chart performance of this particular contest song is not widely documented in general music history, it remains a notable part of the competition's catalog from that year. The work reflects the contemporary pop sound of the early 2000s, focusing on themes of love and celebration typical of the contest's repertoire.