The Netherlands: Esther Hart - One more night

Eurovision Song Contest · Eurovision Song Contest 2003 [2003]

There's a fire that burns within us

A flame that never dies

Like a river that runs right through me

A river old and wise



A power that can't be stopped, oh no

If you're with the one you love

You'll never rise above being with the one you love



Give me one more night, give me one more day

Now and forever, baby come what may

Give me one more night, give me one more day

Let me hold you now and please stay, one more night



There's a bright light that shines upon us

A light as old as time

And there's a flower that keeps on growing

As long as we two rhyme



A power that can't be stopped, oh no

If you're with the one you love

You'll never rise above being with the one you love



Give me one more night, give me one more day

Now and forever, baby come what may

Give me one more night, give me one more day

Let me hold you now and please stay, one more night



Take my hand and I will lead the way

We're all in need of a brighter day

Take a stand and it'll be okay

You're all I need so don't delay

Come here and say, you're gonna stay



One more night, give me one more day

Now and forever, baby come what may



Give me one more night, give me one more day

Now and forever, baby come what may

Give me one more night, give me one more day

Let me hold you now and please stay



One more night, give me one more day

Now and forever, baby come what may

Give me one more night, give me one more day

Let me hold you now and please stay, one more night

One more night

Esther Hart's 'One more night' stands as a defining song in the Netherlands' Eurovision history, representing the country at the 2003 contest in Riga. The track showcases Hart's powerful vocal delivery within a polished pop framework, capturing the energetic spirit typical of the competition's early 2000s era. As a recording, it highlights the artist's ability to command a large stage, delivering a performance that resonated with international audiences. The song remains a notable part of her discography, illustrating the specific production style favored by Dutch representatives during that period. Its enduring presence in the contest's legacy reflects the lasting impact of well-crafted pop anthems designed for the unique demands of the Eurovision format.