Battlefield

French Montana · The Laundry Man [2008]

Max B:

(And dem livin' in a danger zone) Max Biggavel' (in the battlefield)

Fench Montana Coke Wave

Let's sing to the people, yeah



Chorus

Max B:

Throw ya hands up if yuh luv music

Lemme hear ya say "Whoo-woo-woo-ooooh"

Throw ya hands up if yuh luv music

Lemme hear ya say "Whoo-woo-woo-ooooh"

Throw ya hands up if yuh luv music

Lemme hear ya say "Whoo-woo-woo-ooooh"

Throw ya hands up if yuh luv music

Lemme hear ya say "Whoo-woo-woo-ooooh"



Verse 1

Max B:

It's the Surfer Don, the Tre pound squirt and jerk the arm

And I don't care what shirt ya on

I could give a fuck what you did in '95 when you was biddin' in the can

When coke was 26 a gram

Now it's 12 years later, 42 dollars a pop

I keep the gear and pump cocked

Feed you 1 shot if you hungry, satisfy ya appetite

Heard ya baby-moms is a hermaphrodite, braggin' rights

Earned 'em, cuz I put ya whole team down with one clip

You sunk my fuckin' battleship, gravel pit

Left arm, chunky monkey, and it sparkle off the glare

He's havin' a fabulous year

Only dropped one compilation in '07, I played in the bing

He had no faith in his team

Couldn't get him fresh even if ya went to Neim & Mar

Keep the heater palmed, these niggaz be needin' a bar

Owww



Chorus



Verse 2

French Montana:

You lame niggaz flop, keep playin' with the gwop

Catch you laying in a drop, your tomato gettin' popped

You be rollin', strollin', ride with them shottas

Watch us, bitch nigga no one can stop us

You was pumping gas, they was on ya ass

Tried to run but the whip crashed

Tough guys get duct-taped and butt-raped

And then wine like crushed grape

Homie in the battlefield, danger zone, get 'em killed, get 'em gone

You'll get the mail wit' ya head on the camera phone

Fuck nigga, kiss my rass, bitch boy

I switch toys and hit the gas, homie I'm a rude boy

Two toys, stash box, raasclaat

All white 6-5-0 with the ragtop



Chorus

Battlefield

French Montana's "Battlefield" serves as a standout track from his 2008 debut album, The Laundry Man. The song exemplifies the mid-2000s hip-hop sound, blending smooth vocal delivery with a rhythmic beat that became a staple of the era's club and radio play. As a key recording in his early discography, the track highlights Montana's ability to craft melodic hooks that resonated widely. It remains a significant piece of his catalog, reflecting the collaborative spirit and sonic textures that defined his initial foray into mainstream hip-hop before he expanded his work with features and subsequent albums.