Factory Girls

Flogging Molly · Within a Mile of Home [2004]

Build a bridge or maybe two

Together held with footsteps she outgrew

But now she sits alone, everyone's long gone

She dances in a photograph

When it was good to joke and have a laugh

But that was yesterday, if only today

Now the walls are crawling faces

that still breathe

But before she nods her head what's left but sleep



(Chorus 1)

She hears a chorus of factory girls

Singin' in the streets

Drinkin' their coca-colas

After washing your filthy sheets



Chasin' down the avenue

After a childhood that she never knew

Choking on woodbine

Cigarettes just kill the time

Now the walls are crawling faces

that still breathe

But before she nods her head what's left but sleep



(Chorus 2)

She hears a chorus of factory girls

Singin' aoin and all

Empty are their pockets

But their voices are filled with song



Come day go day

Wish in my heart it was Sunday

Drinking buttermilk all the week

And whiskey on a Sunday (traditional)



Now the walls are crawling faces

that still breathe

But before she nods her head what's left but sleep



(Chorus 1)

(Chorus 2)



Slayed Richard and his court of Kings

He stole my heart and many other things

But me I took his crown

Wish he was here to steal it now

Factory Girls

Factory Girls stands as a defining track on Flogging Molly's 2004 album Within a Mile of Home, capturing the band's signature blend of punk energy and traditional Irish instrumentation. The recording highlights the group's ability to weave social commentary into high-tempo melodies, a hallmark of their early discography. Fronted by the distinctive vocals of Dave King, the song reflects the working-class themes often explored in their music during this era. As part of a body of work that helped establish the band's reputation in the Celtic punk genre, the track showcases their tight musicianship and emotional resonance. It remains a staple in their live performances, demonstrating the enduring appeal of their sound and the powerful storytelling that characterizes their recordings from the mid-2000s.