Superfast Jellyfish

Gorillaz · The Singles Collection&#58 2001-2011 [2011]

Pretty packages of frosted delights

(Look, it comes with a toy, I like that)

I wanna number 4, number 6, and throw in a plastic donut

Just enjoy the gritty crunch that tastes just like chicken

Rappers of many bite sizes (Man are you freaking blind it's a rock)

All mixed in the pot full

Mumma's homemade from scratch but not quite

Toasted over flames they be tasting quite right



All hail King Neptune and his water-breathers

No snail thing too quick for his water-feeders

Don't waste time wit'cha net, our net worth is set,

Ready go, many know others but

We be the colours of the mad and the wicked,

We be bad, we re-brick it with the 24 hours sign

Shower mine habits while you dine like rabbits

With the crunchy, crunchy carrots (Oh that's chicken)

Gotta have it superfast



Superfast, superfast, I come in last

But just in time for breakfast

Keep us through, keep us through, whatever blue

The night, the night, throws at us

Aluminium, I crush for fun, aluminium,

The sea is radioactive, the sea is radioactive.



All hail King Neptune and his water-breathers

No snail thing too quick for his water-feeders

Don't waste time wit'cha net, our net worth is set,

Ready go, many know others but

We be the colours of the mad and the wicked,

We be bad, we re-brick it with the 24 hours sign

Shower mine habits while you dine like rabbits

With the crunchy, crunchy carrots (Oh that's chicken)

Gotta have it superfast



Superfast, superfast, I come in last

But just in time for breakfast

Keep us through, keep us through, whatever blue

The night, the night, throws at us

Aluminium, I crush for fun, aluminium,

The sea is radioactive, the sea is radioactive.



Superfast jellyfish (repeated)

Don't waste time

Everybody loves jellyfish (repeated)

Superfast Jellyfish

Released in 2001, "Superfast Jellyfish" stands as a defining track in the Gorillaz catalogue, blending electronic pop with a distinct indie-rock sensibility. The song features a memorable, repetitive melody and lyrics that explore themes of emotional detachment and the fleeting nature of relationships. It was originally recorded for the band's debut album, "Demon City" (2001), though it gained significant traction when included in the compilation "The Singles Collection: 2001-2011." The track showcases the group's signature collaborative approach, with contributions from members of the band and guest vocalists, creating a sound that bridges the gap between digital innovation and organic instrumentation. Its enduring popularity highlights the band's ability to craft anthemic songs that resonate across generations, cementing their status as pioneers of virtual pop culture.