Victims Of Love
Good Charlotte · Good Morning Revival [2007]
Oh, oh, oh, oh x6
In the beginning
I tried to warn you
You play with fire
It's gonna burn you
But here we are now
Same situation
You never listen
I never listen
Now thinking of a way
That I can escape
It's got me caught up in away
And my heart is the prey
Do you really want to throw your heart away
Away, away
CHORUS:
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Don't try to fight it
Victims of Love
You can't decide it
Victims of Love
Oh, oh, oh, oh
Victims of Love
Oh, oh, oh, oh
Victims of Love
Now you're back-tracked
And you're running away
It just happened again
And you want it to end
You're trying your best
Not to let yourself go cold
So cold
Now you're thinking of things
That you wanted to say
But when you open your mouth
It don't come out that way
Are you really gonna throw your heart away
Away, away
CHORUS:
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Don't try to fight it
Victims of Love
You can't decide it
Victims of Love
Oh, oh, oh, oh
Victims of Love
Oh, oh, oh, oh
Victims of Love
In the beginning
I tried to warn you
You play with fire
It's gonna burn you
But here we are now
Same situation
You never listen
I never listen
CHORUS:
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Don't try to fight it
Victims of Love
You can't decide it
Victims of Love
Oh, oh, oh, oh
Victims of Love
Oh, oh, oh, oh
Victims of Love
In the beginning
I tried to warn you
You play with fire
It's gonna burn you
But here we are now
Same situation
You never listen
I never listen
Now thinking of a way
That I can escape
It's got me caught up in away
And my heart is the prey
Do you really want to throw your heart away
Away, away
CHORUS:
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Don't try to fight it
Victims of Love
You can't decide it
Victims of Love
Oh, oh, oh, oh
Victims of Love
Oh, oh, oh, oh
Victims of Love
Now you're back-tracked
And you're running away
It just happened again
And you want it to end
You're trying your best
Not to let yourself go cold
So cold
Now you're thinking of things
That you wanted to say
But when you open your mouth
It don't come out that way
Are you really gonna throw your heart away
Away, away
CHORUS:
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Don't try to fight it
Victims of Love
You can't decide it
Victims of Love
Oh, oh, oh, oh
Victims of Love
Oh, oh, oh, oh
Victims of Love
In the beginning
I tried to warn you
You play with fire
It's gonna burn you
But here we are now
Same situation
You never listen
I never listen
CHORUS:
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Everybody's hurt somebody before
Everybody's been hurt by somebody before
You can change
But you'll always come back for more
It's a game
And we're all just
Victims of love
Don't try to fight it
Victims of Love
You can't decide it
Victims of Love
Oh, oh, oh, oh
Victims of Love
Oh, oh, oh, oh
Victims of Love
Victims Of Love
Released in 2007 on Good Morning Revival, 'Victims Of Love' stands as a defining track for Good Charlotte, blending pop-punk energy with melodic hooks that became staples of the mid-2000s sound. The song features the band's signature vocal harmonies and driving guitar riffs, capturing the emotional intensity often found in their discography. As a key component of their catalog from that era, it exemplifies the genre's evolution toward more polished production while retaining its core rebellious spirit. The recording remains a popular choice for fans of the band and enthusiasts of the pop-punk movement, showcasing the group's ability to craft anthemic songs that resonate with a wide audience.