Open Pit Mine

George Jones · A Good Year For The Roses

From Morenci, Arizona where the copper mines glow

I could see Clifton in the canyon below

In Clifton lived Rosey, we danced and we dined

On the money I made in the open pit mine.



I loved my sweet Rosey and she loved me too

There was nothin' for Rosey that I wouldn't do

Her hugs and her kisses they were something devine

Gave me reason for working the open pit mine.



--- Instrumental ---



While I was out walkin' with my Rosey one day

We passed a store window with rings on display

I bought those she wanted, how they really did shine

With the money I scraped from that open pit mine.



Her love would bring heartbreak that I would soon learn

'Cause she would two time me when my back was turned

Rosey would go dancin' and drink the red wine

While I worked like a slave in that open pit mine.



--- Instrumental ---



One night I caught Rosey on her rendevous

She was huggin' and kissin' with somebody new

It was there that I shot 'em while their arms were entwined

Then I buried her deep in that open pit mine.



I took a look at my future and what did I see

There was nothin' but trouble a-waiting for me

But on the sun's next rising I'll be satisfied

'Cause they'll find me there sleepin' by my sweet Rosey's side...

Open Pit Mine

George Jones delivers a haunting performance on 'Open Pit Mine,' a track that exemplifies his signature blend of country storytelling and raw emotional vulnerability. Recorded for the album 'A Good Year For The Roses,' the song showcases Jones' ability to craft narratives steeped in the hardships of rural life, a recurring theme throughout his discography. The recording captures the essence of the 1990s country sound, characterized by its polished production yet retaining the grit and heartbreak that defined Jones' career. As a staple of his later work, the song reflects his deep connection to the genre's tradition of exploring personal struggle and resilience, resonating with listeners who appreciate his authentic delivery and the atmospheric depth of his final studio recordings.