Don't Leave Me

Blink 182 · The Mark Tom And Travis Show

Don't leave me all alone
just drop me off at home
I'll be fine, it's not the first
just like last time, but a little worse, and

She said that I'm not the one that she thinks about and
she said it stopped being fun, I just bring her down
I said, "don't let your future be destroyed by my past."
she said, "don't let my door hit your ass."
(fuck yeah!)

Just gimmie one more chance, I'll try this time
I'll give you yours, I won't take mine
I'll listen up, pretend to care
go on ahead, I'll meet you there, and

She said that I'm not the one that she thinks about and
she said it stopped being fun, I just bring her down
I said, "don't let your future be destroyed by my past."
she said, "don't let my door hit your ass."
(bass solo!)

Let's try this one more time with feeling
one more time with feeling
one more time with feeling
one more time with feeling

She said that I'm not the one that she thinks about and
she said it stopped being fun, I just bring her down
I said, "don't let your future be destroyed by my past."
she said, "don't let my door hit your ass."

Don't leave me all alone
just drop me off at home
and I'll be fine

-------------------------------------------------------------------

Tom: You will be fine you fucking asshole! Wow!!!
(BURP) Excuse me!
Mark: Thank you.
Tom: Heya, hey Mark! We have a very special person here,
that wants to say hi. You guys, this is Satan.
Satan: Hello kids. If you guys will take off your pants,
then maybe I will be able to help you. I wanna have fun
with you, but I'm gonna have to see your dick. Plural.
I have to go away now, because there is another song.
And I've got a boner. You guys mind if I get a boner kids?

About Don't Leave Me

"Don't Leave Me" is a track by Blink-182, appearing on their 2000 compilation album *The Mark, Tom and Travis Show*. This recording exemplifies the band's signature blend of pop-punk energy and melodic hooks that defined their early career. The song features the characteristic interplay between Mark Hoppus's vocals and the guitar-driven instrumentation typical of their discography from that era. As part of a collection of tracks released to celebrate their work, the song contributes to the band's legacy as a cornerstone of the mid-1990s to early 2000s pop-punk movement. It serves as a representative example of their ability to craft catchy, emotionally resonant anthems that resonated with a global audience during their peak popularity.