Headlock
Imogen Heap · Speak For Yourself [2005]
This weather's bringing it all back again.
Great adventures, faces and condensation.
I'm going outside and take it all in.
You say too late to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know you're better than this.
Wear a different pair, do something out of step
Throw a stranger an unexpected smile...with big intention.
Still posted at your station.
Always on about the day it should have flown.
You say too late to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know you're better than this.
Afraid to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know you're better than this.
Been walking, you've been hidding,
And you look half dead half the time.
Monitoring you, like machines do,
You've still got it, I'm just keeping an eye
You've been walking, you've been hidding,
And you look half dead half the time.
Monitoring you, like machines do,
You've still got it, I'm just keeping an eye
You know you're better than this
I'll make you start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know you're better than this.
Afraid to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know you're better than this.
Headlock
Imogen Heap's 'Headlock' stands as a defining track from her 2005 album 'Speak For Yourself,' showcasing her pioneering integration of technology and organic instrumentation. The song features her distinctive vocal style, often layered with electronic elements and auto-tune, reflecting the innovative sound of the mid-2000s indie pop and electronic genres. As a lead single, it highlighted Heap's ability to blend personal storytelling with experimental production techniques, influencing a generation of artists to explore the boundaries between human voice and digital manipulation. The recording exemplifies her commitment to creating unique sonic textures that prioritize emotional resonance alongside technical innovation.
