I Want My Shit

Insane Clown Posse · The Amazing Jeckel Brothers LP [1999]

It was like March, April

Fuckin, Libra



Taurus, born in 1775

I'm like 300 and somethin, but I'm still alive

I used to hang with the original Billy the kid

You probably think I'm only playin but, I did

My daddies were a 2 headed freak show

Mamma a fortune teller, Esmerella Zella

Anyway they had sex on a Ouija board

And I was born the next day

Violent J

When I was 14 I tripped on the train track

And I was crushed right there, on the steel rack

I'm out cold, they though it would fuck me up

I got up and itched my butt, and I'm like, what?

Everybody tripped and called me the clown

devil boy child of the Witch heifer

Whatever

Tied me up burned me and threw stones

Had a few scrapes and cuts

Smokey Nuts

After that they started bowin and shit

Prayin to me, you know how those primitives get

I said get off my dick I ain't a savior

I'm what ya call a juggalo, and all I want is my flava



4 simple things in this bitch before I die



I want a rusty axe

I wanna know voodoo

A fat bitch named Bridgette

And a little sip of Faygo too



Till I get my shit in this mother fucker

I will neva DIE!



(aww hell yea)



so anyways,

50 years passed all my homies are old ass fucks

I ain't even got hair on my nuts

I left the village in the search of my ends, I wrestled Alligators

Battled terminators

Nothin ever killed me, nothin could harm me

I fought in the civil war, Yankees army

I walked across enemy lines with a mack 10

(Shaggy 2 Dope)

Man they didn't even have that shit back then

(Violent J)

How you just gonna come in my shit and fuck it up?

(Shaggy 2 Dope

Well at least make this shit sound real man damn!



(Violent J)

I walked acrossed enemy lines with a, lantern

Steady takin cannon balls

To the balls

The war ended, I traveled the country, horse back

Until this fool tried to horse jack

He put his gat to my head and blew my face up

(pew)

Didn't even smear the makeup

I took his gun a put a divit in his neck

The sherriff didn't like it

I got indited

87 long years in the state pen

Till they finally forgot why they put me in

They had to let me go, can't hold me on nothin

On they way out they're like "Yo ain't you

like a houndred and somethin?"



I said, thats right, and I ain't gonna

die till I get my shit mother fucker!!!



I want a rusty axe

I wanna know voodoo

A fat bitch named Bridgette

Just a little sip or two



Till I get my shit in this motha fucka

I will neva DIE



(hee hee)



yeah,

I slept under bridges, lived in the valleys

Climbed up mountains, searched the alleys

More years passed and I still ain't died

Now I'm in Detroit on the Southwest Side

My homie has an Impala blue '67

Last night we hit the road pushin 111

I stuck my head out the window told 'em floor it the most

And let my nugget ping off a light post

hahahaha hell yeah cuz, it hurts a

little bit but then ya getta straight buzz

The world hates me cuz of shit like this

They always try and kill me but, MISS

I know it's odd but my face is forever painted

When I was born the bitch ass doctor fainted

My tongues a little long I choke people with it

Looks kinda nasty... but chicks dig it

And I told ya my neck can strech for miles

I sorta look like somethin from the X-Files

People wanna see me die more than a little bit



But I'm a juggalo, and as a juggalo I want my SHIT

And I ain't gonna die till I get it!!!!



I want a rusty axe

I wanna know voodoo

A fat bitch named Bridgette

I said Faygo FUCK Mountain Dew



Till I get my shit in this mother fucker



I will neva Die!

Die (x2)

I Want My Shit

I Want My Shit stands as a quintessential example of Insane Clown Posse's signature horrorcore style, delivered during the height of their creative output in the late 1990s. Featured on the 1999 release The Amazing Jeckel Brothers LP, the track captures the duo's energetic performance and distinct vocal delivery that defined their era. The song reflects the group's ability to blend aggressive hip-hop rhythms with theatrical storytelling, a hallmark of their broader discography. As part of their extensive catalogue, this recording showcases the dynamic interplay between Violent J and Shaggy 2 Dope, reinforcing their status as influential figures in the genre. The track remains a notable song in their body of work, illustrating the consistent thematic elements and sonic identity that have sustained their long-standing career in music.