Ok
Iyaz · Replay [2010]
Or an Amanda
All that I know is that you're beautiful
You look like you should be a Tina
Or a Selena
So why you alone girl I just wanna know
Girl I don't know what your name is
But I see you looking down
I really don't know what your man did
But he left you with a frown
I know it might sound a little crazy
But please let me inside
I really don't know what the case is
But I want you to dry your eyes
No woman, no cry (no cry)
Cause tonight is gonna be alright
You gonna be ok, ok, ok, ok, ok, ok, ok, ok
No woman, no cry (no cry)
Cause tonight I'm gonna make it right
We gonna be ok, ok, ok, ok, ok, ok, ok
Everything's gonna be ok
No woman, no cry
You look like you could be a Lisa
Or a Theresa
I don't think you know but you should be with me
You look like you could be a Lindsay
Maybe an Ashley
I'm in no hurry, I'm waiting patiently
Girl I don't know what your name is
But I see you looking down
I really don't know what your man did
But he left you with a frown
I know it might sound a little crazy
But please let me inside
I really don't know what the case is
But I want you to dry your eyes
No woman, no cry (no cry)
Cause tonight is gonna be alright
You gonna be ok, ok, ok, ok, ok, ok, ok, ok
No woman, no cry (no cry)
Cause tonight I'm gonna make it right
We gonna be ok, ok, ok, ok, ok, ok, ok
Everything's gonna be ok
Oh every time he breaks your heart
I'll take your pain away
Don't you cry, don't you don't you cry
I just want to chase those clouds and bring you brighter days
Don't you cry, don't you don't you cry [x4]
Don't you cry
Because
It's ok
No woman, no cry
(baby don't you cry no more)
Cause tonight is gonna be alright
You gonna be ok, ok, ok, ok, ok, ok, ok
No woman, no cry
(baby don't you cry no more)
Cause tonight I'm gonna make it right
We gonna be ok, ok, ok, ok, ok, ok, ok,
Everything's gonna be ok
No woman, no cry
Ok - Iyaz
Iyaz's 'Ok' serves as a defining track on the 2010 album Replay, showcasing his signature blend of R&B and electronic pop. The song features a minimalist production style that emphasizes atmospheric textures and a driving beat, characteristic of the early 2010s dance-pop revival. Released alongside hits like 'Solo' and 'Replay', the track highlights Iyaz's ability to create infectious melodies with a modern, polished sound. It remains a staple of his discography, reflecting the era's shift toward synth-driven rhythms and emotive vocal delivery that would influence subsequent pop productions. The recording captures a specific moment in musical history where digital production techniques met traditional vocal sensibilities.