Stacy's Got A Gun
Iyaz · Replay [2010]
He's gonna pay for the tears
comin' down her eyes,
Those lies is gonna turn into a crime.
Yeahh.
She says that she's not gonna hurt no more,
He's there but he don't even know, oh ohh
He's layin down under the floor.
Yeah.
Now she's pacing back and back and forth,
He's smilin' but he don't even know
what she's gonna do,
But he's 'bout to find out soon.
Stacy's got a gun now, a gun now
Somebody gettin' gunned down, gunned down.
Nobody really know how, know how
she blow him away.
Stacy on the run now, run now,
Somebody got gunned down, gunned down,
Nobody really know how, know how
she blow him away.
She's scared, thinkin' like what have i done?
In her mother car drivin' on the run,
Close to the borderline, trying to hide that gun
- from the law who's right behind her car.
She can see them getting close in the rear-view mirror,
She's a killer, i don't think she's gonna get too far.
Now she's pacing back and back and forth,
He's smilin' but he don't even know
what she's gonna do,
But he's 'bout to find out soon.
Stacy's have a gun now, a gun now
Somebody's gettin' gunned down, gunned down.
Nobody really know how, know how
she blow him away.
Stacy on the run now, run now,
Somebody got gunned down, gunned down,
Nobody really know how, know how
she blow him away.
She runnin' and a runnin' and a runnin' away,
She runnin' and a runnin' and a runnin' away,
She runnin' and a runnin' but can she get away.
She runnin' and a runnin' and a runnin' away,
She runnin' and a runnin' and a runnin' away,
She runnin' and a runnin' but can she get away? (runnin away)
Stacy got a gun now, a gun now
Somebody's gettin' gunned down, gunned down.
Nobody really know how, know how
she blow him away.
Stacy on the run now, run now,
Somebody got gunned down, gunned down,
Nobody really know how, know how
she blow him away.
Stacy's Got A Gun
Iyaz's 'Stacy's Got A Gun' stands as a defining track from his 2010 album 'Replay,' showcasing his signature blend of R&B, pop, and electronic production. The song features a distinctive, repetitive vocal hook that became a staple of his discography, reflecting the era's shift toward minimalist yet emotionally resonant pop structures. Produced with a polished, radio-friendly sheen, the recording exemplifies Iyaz's ability to craft anthemic hooks that prioritize melody and rhythm over complex arrangements. As part of his broader catalog from that period, the track contributed to his status as a prominent figure in early 2010s pop music, influencing subsequent artists who adopted similar vocal techniques and production aesthetics. The song remains a notable example of his work during a prolific phase that saw him collaborate across various genres while maintaining a cohesive sonic identity.