Country Boy

Johnny Cash · Bootleg Volume 3: Live Around The World [2011]

Country boy, ain't got no shoes.

Country boy, ain't got no blues.

Well, you work all day

While you're wantin' to play

In the sun and the sand,

With a face that's tan.

At the end of the day,

When your work is done,

You ain't got nothin' but fun.



Country boy, ain't got no ills.

Country boy, don't owe no bills.



Country boy, ain't got no ills.

Country boy, don't owe no bills.

You get a wiggly worm,

And then you watch him squirm.

While you put him on a hook,

And you drop him in a brook.

If everything's gonna turn out right,

You're gonna fry fish tonight.



Country boy, got a lot to lose.

Country boy, how I wish I was in your shoes.



[Instrumental break]



Country boy, you got a shaggy dog.

Country boy, up a holler log.

Well, he comes in a run,

When you pick up your gun.

And with a shell or two,

And your dog and you,

When you get your rabbit,

You'll skin his hide,

He's gonna be good fried.



Country boy, you got a lot to lose.

Country boy, how I wish I was in your shoes.



[Instrumental break]



Country boy, you got work to do.

Country boy, in the morning dew,

You gotta plant the seed,

You gotta cut the weeds.

There's many a row,

You know you gotta hoe

When it's quittin' time,

And your work is through.

There's a lot of life in you



Country boy, you lucky thing.

Country boy, I wish I was you, and you were me.

Country Boy

Johnny Cash's 'Country Boy' stands as a quintessential example of his mastery of the honky-tonk and country genres. Recorded for the 2011 compilation 'Bootleg Volume 3: Live Around The World,' the track captures Cash's signature vocal delivery, characterized by its gravelly texture and emotional depth. The song reflects the enduring themes of rural life and the struggles of the common man that defined his career. As part of his extensive discography, this recording showcases his ability to blend traditional instrumentation with a raw, authentic performance style that resonated with audiences globally. It serves as a testament to his status as a cultural icon who brought the sounds of the American South to a worldwide stage.