Two Fingers
Jake Bugg · Jake Bugg [2012]
Some things to be proud of, some stuff to regret
Run down some dark alleys in my own head
Something is changing, changing, changing
I go back to Clifton to see my old friends
The best people I could ever have met
Skin up a fat one, hide from the Feds
Something is changing, changing, changing
So I kiss goodbye to every little ounce of pain
Light a cigarette and wish the world away
I got out, I got out, I'm alive and I'm here to stay
So I hold two fingers up to yesterday
Light a cigarette and smoke it all away
I got out, I got out, I'm alive and I'm here to stay
Down in the kitchen, drinking white lightning
He's with my momma, they're yelling and fighting
It's not the first time praying for silence
But something is changing, changing, changing
So I kiss goodbye to every little ounce of pain
Light a cigarette and wish the world away
I got out, I got out, I'm alive and I'm here to stay
So I hold two fingers up to yesterday
Light a cigarette and smoke it all away
I got out, I got out, I'm alive and I'm here to stay
There's a story for every corner of this place
Running so hard you got out but your knees got grazed
I'm an old dog but I learned some new tricks yeah
So I kiss goodbye to every little ounce of pain
Light a cigarette and wish the world away
I got out I got out I'm alive and I'm here to stay
So I hold two fingers up to yesterday
Light a cigarette and smoke it all away
I got out I got out I'm alive and I'm here to stay
Hey, hey it's fine
Hey, hey it's fine
Hey, hey it's fine
I left it behind
Two Fingers
Jake Bugg's "Two Fingers" stands as a defining track from his 2012 debut album, capturing the raw, acoustic energy that established him as a leading figure in modern folk and Americana. Recorded with a stripped-down approach, the song features Bugg's distinctive vocal delivery and guitar work, reflecting the rustic, storytelling style that became his signature. Released alongside other tracks like "Broken" and "Lightning Bolt," the recording helped define the sound of early 2010s British folk revival, blending traditional instrumentation with contemporary songwriting sensibilities. The track remains a staple of his discography, showcasing his ability to craft intimate, emotionally resonant music that resonates deeply with listeners seeking authentic, unpolished acoustic performances.
