Yonder Comes a Sucker
Jim Reeves · The Essential Jim Reeves [RCA Nashville/Legacy] [2006]
Chorus:
Railroad, steamboat, river and canal
Younder comes a sucker and he's got my gal
And she's gone, gone, gone
And she's gone, gone, gone
And I bid her my last fairwell.
I fell in love with a pritty little thing
I thought that wedding bells would ring
She was sweat as sweat could be
'Til I found out what she did to me.
Chorus:
Railroad, steamboat, river and canal
Younder comes a sucker and he's got my gal
And she's gone, gone, gone
And she's gone, gone, gone
And I bid her my last fairwell.
I ask her mother to let her go
She whisperd mother please tell him no
Though he may think that I am true
There's plenty more who thinks so too.
Chorus:
Railroad, steamboat, river and canal
Younder comes a sucker and he's got my gal
And she's gone, gone, gone
And she's gone, gone, gone
And I bid her my last fairwell.
Now I won't cry my life away
Some other sucker will have to pay
And when he finds that she is gone
I guess I'll hear him sing this song.
Chorus:
Railroad, steamboat, river and canal
Younder comes a sucker and he's got my gal
And she's gone, gone, gone
And she's gone, gone, gone
And I bid her my last fairwell...
Yonder Comes a Sucker
Jim Reeves remains one of the most enduring figures in country music, celebrated for his smooth baritone and gentle delivery that bridged the gap between traditional country and pop audiences. Recorded during his peak commercial years, 'Yonder Comes a Sucker' exemplifies the polished production style that defined his discography. The track showcases Reeves' signature warmth and melodic phrasing, capturing the lighthearted charm often found in his catalog. As part of his extensive body of work, the song reflects his ability to deliver relatable narratives with a soothing vocal presence that resonated with listeners across generations. This recording stands as a testament to his influence on the genre, highlighting the craftsmanship that made him a staple of the Nashville sound and a beloved artist in the broader American music landscape.

