But You Love Me Daddy (Dorothy Dillard)

Jim Reeves · Gentleman Jim 1956 - 1959 recordings [Bear Family] [1989]

Jim Reeves & Dorothy Ann Dillard



Your five year old face

Is a dirty disgrace

But you love me, daddy.



You scatter your toys

And you make to much noise

But you love me, daddy.



You know little lad

You can be pretty bad

But you love me, daddy.



You wake me at dawn

When I want to sleep on

But you love me, daddy.



Now you eat the cookies

When I tell you, no

But you love me, daddy

'Cause you tell me so.



Your so hard to scold

'Cause your my five year old

Because you love me, daddy.



--- Instrumental ---



When I dress you up

You go play with the pup

But you love me, daddy.



When I use the phone

You won't leave me alone

But you love me, daddy.



You make sister wail

Pulling her pony tail

But you love me, daddy.



You scratch up the floor

And you write on the door

But you love me, daddy.



you ask foolish question

Now, you know that true

But you love me, daddy

Now you know that you do.



Your so hard to scold

'Cause you're my five year old

Because you love me, daddy...

About But You Love Me Daddy (Dorothy Dillard)

Jim Reeves' "But You Love Me Daddy" stands as a poignant example of his mastery in the country and pop genres, particularly within the heartland ballad tradition. Recorded during the late 1950s, the track showcases Reeves' signature smooth vocal delivery and emotive phrasing, capturing the vulnerability often found in songs about paternal love and familial bonds. The composition reflects the era's focus on personal storytelling and emotional resonance, characteristic of the Nashville sound that defined his career. Released on the *Gentleman Jim 1956 - 1959 recordings* compilation, this work highlights Reeves' ability to blend traditional country themes with polished pop production. The song remains a staple in his discography, illustrating his dedication to crafting melodies that connect deeply with listeners. Its enduring appeal lies in the authentic emotional connection Reeves established with his audience, making it a significant piece in the broader context of mid-century American music.