Mary's Boy Child
Jim Reeves · Twelve Songs of Christmas [BMG Special] [1999]
Long time ago in Bethlehem
So the Holy Bible say
Mary's boy child Jesus Christ
Was born on Christmas Day.
Hark now, hear the angels sing
A new King's born today
And man will live for evermore
Because of Christmas Day.
Trumpets sound and angels sing
Listen what they say
That man will live for evermore
Because of Christmas Day.
While Shepherds watched their flock by night
They see a bright new star
Then hear a choir of angels sing
Music seems to come from a far.
Now Joseph and his wife Mary
Come to Bethlehem that night
They find no place to lay the child
Not a single room was in sight.
Hark now hear the angels sing
A new King's born today
And man will live for evermore
Because of Christmas Day.
Trumpets sound and angels sing
Listen what they say
That man will live for evermore
Because of Christmas Day.
By and by they find a little nook
In a stable so forlorned
In a manger cold and dark
Mary's little boy was born.
Hark now hear the angels sing
A new King's born today
And man will live for evermore
Because of Christmas Day.
Trumpets sound and angels sing
Listen what they say
That man will live for evermore
Because of Christmas Day...
About Mary's Boy Child
Jim Reeves' "Mary's Boy Child" stands as a quintessential example of his mastery in traditional Christmas gospel music. Recorded for the *Twelve Songs of Christmas* collection, the track showcases Reeves' signature smooth baritone and emotive delivery, which became a defining characteristic of his career. The song reflects the era's popular interpretation of religious hymns, blending heartfelt vocal performance with the acoustic warmth typical of mid-20th-century country and gospel recordings. Reeves' ability to infuse such sacred material with a sense of intimate storytelling set him apart in the genre. His rendition captures the quiet reverence and familial warmth associated with the Christmas season, resonating deeply with audiences who appreciated his nuanced approach to vocal expression. This recording remains a significant part of his discography, illustrating how he successfully bridged the gap between secular country music and traditional religious songwriting.