Only A Pawn In Their Game
Bob Dylan · The Times They Are A-Changin'
A finger fired the trigger to his name.
A handle hid out in the dark
A hand set the spark
Two eyes took the aim
Behind a man's brain
But he can't be blamed
He's only a pawn in their game.
A South politician preaches to the poor white man,
"You got more than the blacks, don't complain.
You're better than them, you been born with white skin," they explain.
And the Negro's name
Is used it is plain
For the politician's gain
As he rises to fame
And the poor white remains
On the caboose of the train
But it ain't him to blame
He's only a pawn in their game.
The deputy sheriffs, the soldiers, the governors get paid,
And the marshals and cops get the same,
But the poor white man's used in the hands of them all like a tool.
He's taught in his school
From the start by the rule
That the laws are with him
To protect his white skin
To keep up his hate
So he never thinks straight
'Bout the shape that he's in
But it ain't him to blame
He's only a pawn in their game.
From the poverty shacks, he looks from the cracks to the tracks,
And the hoof beats pound in his brain.
And he's taught how to walk in a pack
Shoot in the back
With his fist in a clinch
To hang and to lynch
To hide 'neath the hood
To kill with no pain
Like a dog on a chain
He ain't got no name
But it ain't him to blame
He's only a pawn in their game.
Today, Medgar Evers was buried from the bullet he caught.
They lowered him down as a king.
But when the shadowy sun sets on the one
That fired the gun
He'll see by his grave
On the stone that remains
Carved next to his name
His epitaph plain:
Only a pawn in their game.
Only A Pawn In Their Game
Only A Pawn In Their Game stands as a stark political statement within Bob Dylan's 1964 album, The Times They Are A-Changin'. The track captures the turbulent social climate of the early 1960s, reflecting on the tragic death of civil rights activist Medgar Evers. Dylan's delivery on this recording is notably somber, shifting away from the whimsical folk styles of his earlier work to address systemic injustice and racial tension. The song serves as a poignant commentary on how ordinary individuals often become casualties in larger political struggles. As part of a landmark album that solidified Dylan's reputation as a voice of his generation, the recording remains a significant song in his extensive discography. It exemplifies his ability to weave personal observation with broader historical narratives, creating a timeless piece of protest music that resonates with listeners decades after its release.

