Always Find The Time
Kylie Minogue · Live In Dublin [1998]
[1a:]
You're the first thing in the morning
And the last thing at night
And I'll always hear you calling
You're always on my mind
[1b:]
I don't want no-one but you, ooh ooh
And I don't need a second string
I don't want a share of you, ooh, ooh
I wanna be your everything
[CHORUS:]
Sunrise - as long as you'll be mine
Midnight - that would be just fine
Rain or shine - it wouldn't change my mind
I-I-I-always find the time
[2:]
Look around me
I can always see your face
There's a feeling that's surrounding
It's in every move you make
All the other guys I see, ooh ohh
They don't get a second chance
Funny they don't interest me, ohh ohh
I don't give them a second glance
[CHORUS:]
[CHORUS:]
[1b:]
[CHORUS:]
You're the first thing in the morning
And the last thing at night
And I'll always hear you calling
You're always on my mind
[1b:]
I don't want no-one but you, ooh ooh
And I don't need a second string
I don't want a share of you, ooh, ooh
I wanna be your everything
[CHORUS:]
Sunrise - as long as you'll be mine
Midnight - that would be just fine
Rain or shine - it wouldn't change my mind
I-I-I-always find the time
[2:]
Look around me
I can always see your face
There's a feeling that's surrounding
It's in every move you make
All the other guys I see, ooh ohh
They don't get a second chance
Funny they don't interest me, ohh ohh
I don't give them a second glance
[CHORUS:]
[CHORUS:]
[1b:]
[CHORUS:]
Always Find The Time
Recorded during Kylie Minogue's 1998 Live In Dublin tour, this track exemplifies the pop-rock fusion that defined her mid-career resurgence. The song features a driving rhythm and vocal delivery characteristic of the era's energetic live performances, blending her signature pop sensibilities with rock instrumentation. As part of the Live In Dublin album, the recording captures the dynamic atmosphere of her concerts, showcasing her ability to command a stage while delivering anthemic hooks. The track remains a staple of her discography, reflecting the collaborative spirit of the late 90s pop scene and her enduring appeal as a performer who seamlessly transitions between ballads and upbeat numbers.