Behind Blue Eyes (The Who Cover)

Limp Bizkit · Results May Vary [2003]

No one knows what it's like

To be the bad man

To be the sad man

Behind blue eyes



And no one knows what it's like

To be hated

To be fated

To telling only lies



But my dreams, they aren't as empty

As my conscience seems to be

I have hours, only lonely

My love is vengeance

That's never free



No one knows what it's like

To feel these feelings

Like I do

And I blame you



No one bites back as hard

On their anger

None of my pain an' woes

Can show through



But my dreams, they aren't as empty

As my conscience seems to be

I have hours, only lonely

My love is vengeance

That's never free



Discover L.I.M.P. say it (x4)



No one knows what its like

To be mistreated

To be defeated

Behind blue eyes



No one knows how to say

That they're sorry

And don't worry

I'm not telling lies



But my dreams, they aren't as empty

As my conscience seems to be

I have hours, only lonely

My love is vengeance

That's never free



No one knows what it's like

To be the bad man

To be the sad man

Behind blue eyes.



In the clothes, all the grey

I'll stay if you go away

Concrete, tall as the sky

Movement passing me by

And you blush, what a rush

Reminisce, cold crush

Next door, ear to the wall

All the tension made for the call



I wish, I wish,

I wish it was all that easy

I wish, I wish,

I wish it was all that easy

Behind Blue Eyes (The Who Cover)

Limp Bizkit's rendition of The Who's 'Behind Blue Eyes' appears on their 2003 album *Results May Vary*. The track exemplifies the band's signature fusion of heavy metal and hip-hop, blending the original song's existential angst with the group's characteristic aggressive vocal delivery and rhythmic distortion. While The Who's 1966 original is a seminal rock anthem, this recording recontextualizes the material within the nu-metal genre that defined the early 2000s. The collaboration highlights the band's ability to reinterpret classic rock material, creating a distinct sonic identity that bridges generational gaps in musical history.