Skit (Luda LP4)
Ludacris · The Red Light District [2004]
[Ludacris] hey boy, You might as well put dat down
we on our way to Cali to get some real dough.
[Girl] Hello
[Ludacris] waz up girl?
[Girl] Waz up baby? I miss you.
[Ludacris] I know
[Girl] When you coming out here?
[Man] Who da FUCK iz dat?
[Girl] Ahh Damn ..come this nigga
[Man]I dont play dat shit
[Girl] owwwwwwwwww
[Man] Get off dis got dammn phone. Nigga who da fuck iz dis?
Im a O' G Nigga
[Ludacris] Waz up nigga dis dis Luda.
[Man] Luda who nigga
[Ludacris] Luda
[Man] Luda... Ludacris?
[Ludacris] YE YE Yeah NIGGA
[Man] ahh Snap. Aye man how you know my girl? Man i got all yo albums.
Man Back For The First Time. Man ya know what im sayin.
I even got Incognegro man. ahhh man My bad baby get up off da
floor. you didnt tell me it waz Luda. Aint dat a bitch. MY GURL
FUCKEN LUDA!!!!
[Girl] HE HE HELLO?
[Ludacris] Ye-yeaah Ima call you back.
we on our way to Cali to get some real dough.
[Girl] Hello
[Ludacris] waz up girl?
[Girl] Waz up baby? I miss you.
[Ludacris] I know
[Girl] When you coming out here?
[Man] Who da FUCK iz dat?
[Girl] Ahh Damn ..come this nigga
[Man]I dont play dat shit
[Girl] owwwwwwwwww
[Man] Get off dis got dammn phone. Nigga who da fuck iz dis?
Im a O' G Nigga
[Ludacris] Waz up nigga dis dis Luda.
[Man] Luda who nigga
[Ludacris] Luda
[Man] Luda... Ludacris?
[Ludacris] YE YE Yeah NIGGA
[Man] ahh Snap. Aye man how you know my girl? Man i got all yo albums.
Man Back For The First Time. Man ya know what im sayin.
I even got Incognegro man. ahhh man My bad baby get up off da
floor. you didnt tell me it waz Luda. Aint dat a bitch. MY GURL
FUCKEN LUDA!!!!
[Girl] HE HE HELLO?
[Ludacris] Ye-yeaah Ima call you back.
Skit (Luda LP4)
This track by Ludacris appears on his 2004 album The Red Light District, a collection that solidified his status as a dominant force in Southern hip-hop. Released during the height of the mid-2000s rap era, the recording showcases his signature blend of aggressive flow and humorous delivery, characteristic of his work in the crunk and trap-influenced subgenres. The song serves as an energetic addition to his discography, reflecting the raw, street-oriented themes prevalent in his catalog from that period. It exemplifies his ability to mix playful bravado with rhythmic precision, contributing to the album's reputation as a defining record of the early 2000s New Orleans sound.