Last Year's Man

Leonard Cohen · Complete Studio Albums Collection [2011]

The rain falls down on last year's man,

That's a jew's harp on the table,

That's a crayon in his hand.

And the corners of the blueprint

Are ruined since they rolled

Far past the stems of thumbtacks

That still throw shadows on the wood.

And the skylight is like skin

For a drum I'll never mend

And all the rain falls down amen

On the works of last year's man.



I met a lady, she was playing

With her soldiers in the dark

Oh one by one she had to tell them

That her name was Joan of Arc.

I was in that army, yes I stayed a little while;

I want to thank you, Joan of Arc,

For treating me so well.



And though I wear a uniform

I was not born to fight;

All these wounded boys you lie beside,

Goodnight, my friends, goodnight.



I came upon a wedding

That old families had contrived;

Bethlehem the bridegroom,

Babylon the bride.

Great Babylon was naked,

Oh she stood there trembling for me,

And Bethlehem inflamed us both

Like the shy one at some orgy.

And when we fell together

All our flesh was like a veil

That I had to draw aside to see

The serpent eat its tail.



Some women wait for Jesus,

And some women wait for Cain

So I hang upon my altar

And I hoist my axe again.

And I take the one who finds me

Back to where it all began

When Jesus was the honeymoon

And Cain was just the man.

And we read from pleasant Bibles

That are bound in blood and skin

That the wilderness is gathering

All its children back again.



The rain falls down on last year's man,

An hour has gone by

And he has not moved his hand.

But everything will happen

If he only gives the word;

The lovers will rise up

And the mountains touch the ground.

But the skylight is like skin

For a drum I'll never mend

And all the rain falls down amen

On the works of last year's man.

Last Year's Man

Leonard Cohen's "Last Year's Man" stands as a quintessential example of his late-career poetic sensibility, blending folk and jazz influences with his signature melancholic delivery. Recorded for the "Complete Studio Albums Collection," the track reflects Cohen's enduring ability to distill complex human emotions into simple, resonant verses. The song's narrative explores themes of regret and the passage of time, characteristic of his work from the 1990s onward. With its stripped-down arrangement and Cohen's distinctive baritone, the recording captures a moment of introspective clarity that has cemented its place in his discography. It serves as a poignant reminder of his mastery in using minimal instrumentation to evoke profound emotional responses, maintaining the lyrical depth that defined his entire body of work.