Let Me Show You The Way
Michael W. Smith · Live The Life [1998]
Old friend of mine
It's no use pretending
That everything's fine
So don't be so brave
Don't be so proud
I want you to know that
I'm here for you now
I can see you hurting and it's hurting me
It doesn't have to be this way
Chorus:
If you'd let me hold you
Closer
Let me know you
Let me show you the way
(Cantor during chorus)
Somebody gonna hold you head up
Somebody gonna show you the light
Somebody gonna hold you head up
Somebody gonna see you right.
I'm feeling for you
Feeling so much
When this heart is big enough
For the both of us
I'll give you my love
If you give me your pain
I'll hold it inside of me
Til you're stronger again
Well I hate seeing you so far away
When not a word can say enough
CHORUS w/ cantor
I'll be your rock for this day
When I hear you calling out my name
Cause I know you'd only do the same for me
Somebody gonna hold your head up
Somebody gonna show you the light
Somebody gonna hold your head up
Somebody gonna see you right
About Let Me Show You The Way
Michael W. Smith's "Let Me Show You The Way" serves as a pivotal track on his 1998 live album, *Live The Life*, capturing the raw energy and spiritual fervor characteristic of his early career. As a defining voice in contemporary Christian music, Smith blends traditional worship melodies with modern production to create an uplifting anthem focused on divine guidance and personal transformation. The song exemplifies his ability to translate intimate spiritual experiences into accessible, radio-friendly recordings that resonated deeply with audiences during the late 1990s. Released during a period where Smith was solidifying his status as a leading figure in the genre, the track reflects his signature style of blending heartfelt lyrics with powerful instrumentation. It stands as a testament to his commitment to crafting music that encourages listeners to seek direction and trust in their faith. The recording remains a staple in his discography, illustrating his enduring impact on the landscape of Christian pop and his capacity to craft songs that bridge the gap between personal devotion and communal celebration.