Burn It To The Ground
Nickelback · Transformers - Revenge Of The Fallen (The Album) [2009]
I've got a fist full of whiskey, the bottle just bit me
Ooooooooooooooohhhhhhhhhhh
That shit makes me bat shit crazy
We got no fear, no doubt, all in, balls out
We're going off tonight
To kick out every light
Take anything we want
Drink everything in sight
We're going till the world stops turning
While we burn it to the ground tonight
Ooooohhhhhhh
We're screaming like demons, swinging from the ceiling
I got a fist full of fifties, tequilia just hit me
Ooooohhhhh
We got no class, no taste, no shirt, and shit faced
We got it lined up, shot down, firing back straight crown
We're going off tonight
To kick out every light
Take anything we want
Drink everything in sight
We're going till the world stops turning
While we burn it to the ground tonight
Ooooohhhhhhh
(Guitar Solo)
Ticking like a time bomb, drinking till the nights gone
Well get your hands off of this glass, last call my ass
Weeelllll no chain, no lock, and this train won't stop
We got no fear, no doubt, all in, balls out
We're going off tonight
To kick out every light
Take anything we want
Drink everything in sight
We're going till the world stops turning
While we burn it to the ground tonight
Ooooohhhhhhh
We're going off tonight
To kick out every light
Take anyything we want
Drink everything in sight
We're going till the world stops turning
While we burn it to the ground tonight
About Burn It To The Ground
Nickelback's "Burn It To The Ground" serves as a high-energy track from their 2009 soundtrack album for the film *Transformers: Revenge of the Fallen*. The song exemplifies the band's signature blend of hard rock and radio-friendly anthems, featuring their characteristic heavy guitar riffs and emotive vocal delivery. While not part of their core studio discography, the recording fits seamlessly into their established catalog, delivering the aggressive sound that defined their mainstream success in the early 2000s. The track was produced to match the action-packed tone of the movie, showcasing the group's ability to adapt their style for film soundtracks while maintaining their distinct identity. It remains a notable example of their work in the English-language rock genre during that era.