Playa Hater

Notorious B.I.G. · Life After Death [1997]

Good evening

And for my last hit

I'd like to take you back to the classic

A-hem, B.I.G. style of course

Uhh



*singing*

Playaahh, turn your head round

Lay on the ground, you've been robbed

Wake up, open the door

Lay on the floor, you've been robbed

Uhh

You know, we need this money

And you, yes baby, you, should just roll with me

Let's go off, together

On this robbin spree, we'll make money

Uhh

Playaahh, turn your head round

Take off that crown, you've been robbed

Wake up, open the door

Don't cry no more, you've been robbed



You see, there are two kind of people in the world today

We have, the playaz, and we have, the playa haters

Please don't hate me because I'm beautiful baby



Hear what they talk, about me

But my crew so deep, you can't do, a damn thing, to me



Playahh, open the door

Lay on the floor, you've been robbed

Wake up (wake your ass up), take off your jewels

You fuckin fools, you've been robbed (this is a robbery nigga)

Playahh playahh (hater), Playahh playahh (hater)

Playahh playahh (hater), Playahh playahh (hater)

Playahh hater!! (hater) Playahh hater!! (hater)

Playahh hater!! (hater) Playahh hater!! (hater)

Uhh, thank you... thank you very much *applause*

Thank you thank you far too kind, far too kind

Thank you, thank you very much

Good night everybody, good night!

I love all of you, thank you thank you

Thank you, thank you very much

Good night!

Playa Hater

Notorious B.I.G. delivers a sharp, rhythmic critique of the music industry's obsession with female performers on 'Playa Hater,' the opening track from his 1997 album *Life After Death*. Released during the height of East Coast hip-hop, the song reflects Biggie's signature blend of smooth delivery and aggressive lyricism, targeting artists who prioritize women over their craft. The recording showcases his ability to navigate complex rhyme schemes while addressing themes of masculinity and professional integrity within the genre. As a defining moment in his discography, the track remains a staple of the *Life After Death* catalog, illustrating his role as a vocal leader who challenged norms while maintaining commercial appeal.