Whiskey Drinkin' Woman

Nazareth · Love Hurts [2006]

Close up the bar you know the gates of the brewery

She's out there every night

And she sure ain't drinkin' tea

I love that woman, she's the best one that I had

But she's got this habit now and it sure is gettin' bad



That whiskey drinkin' woman

Is makin' a poor man out of me



She's got bottles in the kitchen

Even got them in my bed

Most times I see her now

She's three parts out of her head

Don't know where I went wrong

I sure try to treat her right

But it sure upsets me

Seein' her juiced up every night.



That whiskey drinkin' woman

Is makin' a poor man out of me



Got to solve this problem

Won't you help me find the key

The way that things are going

I'll have to buy the distillery

She just stands there smilin'

With a whiskey in each hand

Got to think of something

Don't know how much I can stand



That whiskey drinkin' woman

Is makin' a poor man out of me



Got to get myself together, start workin' something out

Maybe if I tried some booze, I'd know what it's about

I love that woman, she's the best one that I had

But she's got this problem now

And it sure is gettin' bad.



That whiskey drinkin' woman

Is makin' a poor man out of me



Got to solve this problem

Won't you help me find the key

The way that things are going

I'll have to buy the distillery

She just stands there smilin'

With a whiskey in each hand

Got to think of something

Don't know how much I can stand

Whiskey Drinkin' Woman

Nazareth's 'Whiskey Drinkin' Woman' stands as a quintessential example of their hard rock and pub rock legacy, delivered with the band's signature gritty power. Recorded for the 2006 compilation 'Love Hurts,' the track showcases the group's ability to blend driving rhythms with raw, emotive vocals that defined their era. As a staple of their discography, the song captures the rebellious spirit of working-class rock, echoing themes found in their broader catalog of anthems. Its enduring appeal lies in its unpretentious energy and the band's mastery of creating a visceral, live-in-the-stadium sound that remains a cornerstone of their public musical identity.