The Whole Quilt All To Myself
One More Time · Living In A Dream [1997]
Since you walked right out on me
And in my head I saw her laying there in your arms
Pleased and smiling scornfully
I felt the jealousy that almost tore me apart
Vendictive feelings kept on churning deep in my heart
My mind was set on just one track
How could I get you to come back
It is so warm and cosy here in my double bed
Can't believe how good I feel
It took some time to check my temper, discard my mask
Now my laugter is for real
I've learned to revel in my aloneness to the full
It seems so long ago that I kept losing control
I shed my mask, renewed myself
For sure, I've left you on the shelf
I have got the whole quilt now to myself
Great to have - The Whole Quilt All To Myself
Finally - my hilarity's no more just an act
Great to keep - The Whole Quilt All To Myself
I feel good as well as healed inside
I feel fine without you and that's a fact
It is so warm and cosy here in my double bed
I have got the whole quilt now to myself
I know the jealousy once almost tore me apart
Vendictive feelings kept on churning deep in my heart
I've soothed my wounds, the scars have healed
I can't believe how good I feel
I have got the whole quilt now to myself
Great to have - The Whole Quilt All To Myself
Finally - my hilarity's no more just an act
Great to keep - The Whole Quilt All To Myself
I feel good as well as healed inside
I feel fine without you and that's a fact
The Whole Quilt All To Myself
Released on the 1997 album Living In A Dream, 'The Whole Quilt All To Myself' stands as a defining track for Swedish synth-pop artist One More Time. The song exemplifies the genre's characteristic blend of melodic pop sensibilities and electronic textures that defined the mid-to-late 1990s Swedish scene. Its placement on Living In A Dream, a collection of tracks spanning the artist's career, highlights the continuity of their sound from earlier works like Highland to later releases. The recording captures the era's specific atmospheric quality, utilizing synthesizers and drum machines to create a cohesive sonic landscape. As part of One More Time's discography, the track remains a notable example of their ability to craft emotive pop songs that resonated with audiences during the height of their popularity in the 1990s.

