You've Got a Killer Scene There, Man...
Queens Of The Stone Age · Lullabies To Paralyze [2005]
I don't mean to make obscene
But even the mob, know what the hell i mean
The knot is tight, on my blindfold
I got my flesh full of blood, i hate rock n roll
Some think too much, then come too soon
I just curse the sun, so i can howl at the moon
Don't wanna love you no more
Don't wanna love you less
I wanna be crushed by your sweet caress
What's the fuckin' difference, we all gonna die
You gonna do something killer?
C'mon give it a try
Got no good plans but a good idea
Let's put this town in my rearview mirror
Yeah, i got enemies, but they don't know
They won't get no glory on that side of the hole
Were are united, by drifting alone
This is the army of none, got no flag, got no home
Just witches & scabs, an awful mess, i confess...
Let's do it again.
But even the mob, know what the hell i mean
The knot is tight, on my blindfold
I got my flesh full of blood, i hate rock n roll
Some think too much, then come too soon
I just curse the sun, so i can howl at the moon
Don't wanna love you no more
Don't wanna love you less
I wanna be crushed by your sweet caress
What's the fuckin' difference, we all gonna die
You gonna do something killer?
C'mon give it a try
Got no good plans but a good idea
Let's put this town in my rearview mirror
Yeah, i got enemies, but they don't know
They won't get no glory on that side of the hole
Were are united, by drifting alone
This is the army of none, got no flag, got no home
Just witches & scabs, an awful mess, i confess...
Let's do it again.
You've Got a Killer Scene There, Man...
Released on the 2005 album Lullabies To Paralyze, this track by Queens Of The Stone Age exemplifies the band's signature blend of blues-infused rock and psychedelic textures. The recording features Josh Homme's distinctive vocal delivery and layered guitar work, characteristic of the group's mature period following the success of Their Greatest Hits. It serves as a dynamic counterpoint to the album's more atmospheric tracks, showcasing the band's ability to shift between heavy, driving rhythms and melodic interludes. The song remains a staple of the band's discography, reflecting the raw energy and experimental spirit that defined their work in the mid-2000s.