Take A Bow (Tony Moran & Warren Riggs Remix)
Rihanna · Good Girl Gone Bad - The Remixes [2009]
Yeah, standing ovation? Ooh, oh yeah
Yeah y-yeah yeah
You look so dumb right now
Standing outside my house
Trying to apologize
You're so ugly when you cry
Please, just cut it out
Don't tell me you're sorry 'cause you're not
And baby when I know you're only sorry you got caught
But you put on quite a show, really had me going
But now it's time to go, curtain's finally closing
That was quite a show, very entertaining
But it's over now
(But it's over now)
Go on and take a bow
Grab your clothes and get gone
You better hurry up before the sprinklers come on
Talking' 'bout, "Girl, I love you," "You're the one"
This just looks like a rerun
Please, what else is on?
Don't tell me you're sorry 'cause you're not
And baby when I know you're only sorry you got caught
But you put on quite a show, really had me going
But now it's time to go, curtain's finally closing
That was quite a show, very entertaining
But it's over now
(But it's over now)
Go on and take a bow
Oh, and the award for the best liar goes to you
(Goes to you)
For making me believe that you could be faithful to me
Let's hear your speech out
How about a round of applause?
A standing ovation?
But you put on quite a show, really had me going
Now it's time to go, curtain's finally closing
That was quite a show, very entertaining
But it's over now
(But it's over now)
Go on and take a bow
But it's over now
Take A Bow (Tony Moran & Warren Riggs Remix)
This remix of Rihanna's 'Take A Bow' reimagines the original track with a high-energy electronic production by Tony Moran and Warren Riggs. Released as part of the 'Good Girl Gone Bad - The Remixes' collection in 2009, the version maintains the song's empowering message while infusing it with a club-ready rhythm that defined the electro-pop sound of the era. The track serves as a dynamic extension of Rihanna's discography during her 'Good Girl Gone Bad' period, showcasing her ability to adapt her vocal performance across different musical genres. By blending her distinctive vocal delivery with a driving beat, the remix highlights the song's role in promoting female empowerment and remains a staple in dance-oriented playlists from that time.
