Short And Curlies
The Rolling Stones · The Rolling Stones Box Set [2009]
Too bad she's got you by the balls
You can't get free at all
She's got your name
She's got your number
You're screamin'
Like thunder
And you can't get away from it all
It's too bad, she's got you by the balls
You can't break loose at all
She's got your name
She's got your number
You're screamin' like thunder
And you're trapped like a rat in a hole
It's too bad, she's got you by the balls
She's nailed you to the wall
Oh, it's a shame
A but it's funny
She crashed your car
She spend your money
And you can't get away from it all
It's too bad, she's grabbed a handful
And you can't get away from it all
It's too bad, oo, and it's painful
And you can't break away from this stall
And you can't get away from it all
It's too bad
She's got you by the balls
She's got your name
She's got your number
You're screamin' blue murder
And you can't get away from it all
It's too bad, she's got you by the balls
It's too bad, she's got you by the balls
It's too bad, she's got you by the balls
She's got you by the...
It's too bad, it's too bad
It's too bad, it's too bad
So sad, so sad
Short And Curlies
The Rolling Stones' "Short And Curlies" stands as a quintessential example of the band's mid-to-late 1960s rock and roll energy. Recorded during a prolific period that saw the group refine their signature blues-based sound, the track captures the raw, unpolished charisma that defined their early career. While often associated with the classic lineup, this recording reflects the band's evolution into a more polished yet still gritty act, showcasing their mastery of rhythm and vocal interplay. The song remains a staple of their discography, embodying the rebellious spirit and musical innovation that cemented their status as rock legends. Its enduring appeal lies in its ability to evoke the vibrant atmosphere of the era without relying on complex production, relying instead on the power of its performance.