On the Radio
Regina Spektor · Live In London [2010]
It feels a little worse
Than when we drove our hearse
Right through that screaming crowd
While laughing up a storm
Until we were just bone
Until it got so warm
That none of us could sleep
And all the styrofoam
Began to melt away
We tried to find some worms
To aid in the decay
But none of them were home
Inside their catacomb
A million ancient bees
Began to sting our knees
While we were on our knees
Praying that disease
Would leave the ones we love
And never come again
On the radio
We heard November Rain
That solo's really long
But it's a pretty song
We listened to it twice
'Cause the DJ was asleep
This is how it works
You're young until you're not
You love until you don't
You try until you can't
You laugh until you cry
You cry until you laugh
And everyone must breathe
Until their dying breath
No, this is how it works
You peer inside yourself
You take the things you like
And try to love the things you took
And then you take that love you made
And stick it into some
Someone else's heart
Pumping someone else's blood
And walking arm in arm
You hope it don't get harmed
But even if it does
You'll just do it all again
And on the radio
You hear November Rain
That solo's awful long
But it's a good refrain
You listen to it twice
'Cause the DJ is asleep
On the radio
(oh oh oh)
On the radio
On the radio - uh oh
On the radio - uh oh
On the radio - uh oh
On the radio
On the Radio
Regina Spektor's "On the Radio" captures the intimate energy of her 2010 London performance, showcasing her signature blend of indie pop and piano-driven storytelling. Recorded during a period of significant artistic maturity, the track highlights Spektor's distinctive vocal phrasing and percussive piano style that defined her mid-career output. As part of the Live In London album, the song benefits from the raw atmosphere of the venue, allowing her nuanced delivery to resonate with immediate clarity. This recording stands as a testament to her ability to transform studio compositions into dynamic live experiences, reflecting the eclectic influences that shaped her discography during this era. The performance remains a compelling example of her unique approach to songwriting and stage presence.

